Tame Impala at Treasure Island Music Festival

Seeing Tame Impala live at Treasure Island Music Festival was an opportunity I’d never dreamed of experiencing. 

Led by record-producer and multi-instrumentalist Kevin Parker, Tame Impala is one of the world’s greatest mysteries. After being blown away by them, I wrote about the whole experience for those looking to experience it themselves.

The show:

Opening with the short interlude “Nangs” gave the perfect vibe of what the show would be like. The crowd was enticed by the fog pouring in from both sides of the stage, while the slowly changing lights immersed us all into the trip we were about to undertake. Slowly but surely, Kevin Parker’s voice began to sing “but is there something more than that?” Who knew 7 words could elicit such a feeling of love and excitement from a group of fans.

Tame Impala followed this moment with their hit single, “Let It Happen.” At this point, lasers began to shine, which seemed almost close enough to touch. The lasers bounced to the bass, following the sound at each turn as if they were magically being shot out of the band’s instruments. I felt as if it was the first time I was hearing the song even though I knew all of the words. As the song transitioned, Kevin did something we didn’t expect; He had the audience clap along, something you usually wouldn’t see at a psychedelic rock concert. He transformed us into instruments, adding percussion with our hands.

“Are you ready?” Kevin asked. And suddenly, confetti was covering the sky. The visuals at this concert were nothing short of breathtaking, seductive even.

Tame Impala’s lasers

Tame Impala proceeded to throw it back with “Sundown Syndrome,” their first official 2009 single. Being a sultry song, the band shifted the music into having a jazzier flow, while Kevin’s soft spoken vocals taught us how to sway.

The Moment” started and at this point we were all in our own little worlds. It’s such a fun and easy going song, it’s hard not to dance along. The band followed this with a snippet of  “Sestri Levante” to get us into the mood for something amazing: “Elephant.” This ultimate classic had us all on another level. If you’ve ever seen the Disney movie Dumbo, the song is literally like that one scene with the elephants where you think you’re on drugs. It’s crazy and hypnotic, and Kevin was throwing us through the ringer.

Why Won’t You Make Up Your Mind?” was a very hardcore song compared to the others. It was almost like we were in the studio with Kevin as he wrote out the words, unsure and scared of what the feelings he was having meant. Next, “Eventually” came on with its’ distorted and romantic chords. The visuals for this song were also out of this world. The layers of lasers were immersed into a moving cloudy sky of light, flowing with the sound of the guitar. This song is heavily drum based compared to the other songs, so it was amazing to see how they added everything together in person.

Afterwards, “Yes I’m Changing” threw everyone into a reflective mood, as the song holds feelings of love and heartache. This song is about growing and becoming a better person, but not forgetting about who you are and not letting your past hold you down. “There is another future waiting there for you” he sang, telling us all that there is so much we can do to change. This song is the perfect mix of nostalgia and yearning. If you’re going through anything right now, this is the song to listen to. It’s hopeful, and it really makes you think.

The almost romantic but somehow savage song that is “The Less I Know The Better” started playing and we were all in a daze. If you haven’t heard this song before, I would stop what you’re doing right now and look it up. That’s it, I can’t ruin it, you’ll have to listen to it for yourself.

Amongst the excitement and shock of hearing that song live, the audience was blown away by something none of us expected. Tame Impala’s first performance of “Jeremy’s Storm” since November 2012. We were truly lucky to be there and be witnessing something like this. Kevin even said himself that they didn’t even soundcheck it and they were just going to go for it. This song had the most simple visuals which really showed off the bands’ roots. 

Love/Paranoia” was like a lullaby to us all, waking us up to the dreams that the song emitted. For a song about cheating, it’s one of their most beautiful songs. It feels almost as if you’re trapped in a loop, trying to push out and escape. And somehow, Tame Impala makes it feel like you want to be there.

Alter Ego” felt like we were all going through some sort of time machine into the past. And it was almost as if we were all traveling together, on a journey to trying to go back to the beginning of the show, knowing the end of it was near. “Apocalypse Dreams” rang out like a cry as we all danced, not wanting it to ever end. One of their longer songs, it was perfect to end on.

Beginning the encore, “Feels Like We Only Go Backwards” played with a feeling of hope. Right as the song started, confetti filled the air and we were all moving in the air with it. I was realizing in this point that it really was the end of the show, and this was Tame Impala in their purest form. I didn’t want it to end.

Their last song was introduced with Kevin saying some parting words. “We will see you real soon, I promise,” he said, as “New Person, Same Old Mistakes” began. Everyone was holding onto his words of ‘seeing us real soon’, because he was still in front of us! During the interlude, Kevin spoke: “Alright guys. This is it! This is the last one. We will see you really soon. We love you! Thank you.” Confetti filled the sky one last time. It was the hardest goodbye.

WHAT NOW?

If you ever have the chance to see Tame Impala live, DO IT. Tame Impala has perfected this art of psychedelic, sexy, but somehow distorted way of catching your eye and making you never want to turn back. It was one of the most magical shows I have ever experienced, and for that I am so grateful, and excited, for what is to come with Tame Impala’s future. According to Kevin, we’ll be seeing them “real soon”, and I’ll be sure to hold him to that.

Photos by: Brittany Roache
Written by: Molly Atkins

KIM PETRAS at Cal Coast Credit Union Amphitheater

Just in time for Halloween, Kim Petras and Troye Sivan set hearts racing at the Cal Coast Credit Union Amphitheater

The arena was quiet awaiting the up and coming artist Kim Petras. Kim Petras recently released an album— Turn Off the Light Vol. 1. which was released October 1st. The album is themed around the spookiness of Halloween, which is such a memorable way to introduce herself to new fans. Currently Kim Petras is touring with Troye Sivan on his Bloom Tour, and opens the show for him.

Right away, Kim Petras came out onto the stage prepared to make the crowd dance right along with her. Sporting a black jacket, shorts, and sparkly tall sneakers, the artist looked equal parts serious and fun.  Accompanying her was Aaron, the designated hype man of the night who mixed and controlled the music of the performance, all while still making sure to make active connections with the audience.

Photo by Aya Nelson

A super memorable aspect of Petras’ performance was that in between songs, Kim made sure to check in with the audience and talk to them. I feel like a majority of artists stop doing things like this after getting big. At best, it oftentimes feels like a scripted part of their performance, whereas with Kim, it was personal, authentic and refreshing. Additionally, her performance was amazing. While her sound is mostly electronic based, what distinguished her was that you could actually hear her hit the long high notes, and she wasn’t fighting with the volume of the track. Her voice was strong and she was definitely not afraid to belt and show her talent to the arena. She is definitely a must see live and radiates empowerment with her upbeat music. Some standouts from the night include “Tell Me It’s A Nightmare,” “I Don’t Want It All,” and “Heart to Break.” Arguably, the best song she performed was “Can’t Do Better,” since Kim’s energy was so contagious that you couldn’t help but scream the lyrics along with her. You could even feel the lyrics resonate within her. She is a unique artist, and it will be so exciting watch how she grows as an artist.

Written by: Dominique Torres
Photos by: Aya Nelson

Dexter: Detrás de Cámaras con el equipo Caloncho

Dexter (Izquierda) y Caloncho (Derecha) en el festival de Entijuanarte en Octubre.

 

El proyecto Caloncho encabezado por el vocalista Óscar Alfonso Castro, tiene miembros integrales como lo es Dexter Águila, su mano derecha. Usualmente se piensa en el vocalista como el centro de atención, pero hay individuos vitales para que este arte se lleve a cabo.

Fue a Dexter a quien Castro le comentó el plan de formar un equipo cuando lo conoció por primera vez en una banda ‘Bandz and Tigers’ en donde, a el ahora Caloncho, lo necesitaron como suplente de baterista.

Experimentaron de todo. Tanto el viajar de su casa en Guadalajara a Querétaro para una tocada, y regresar esa misma noche por no tener hotel donde hospedarse, hasta llegar enlodados a una presentación porque el GPS los guió por un camino en donde se les atoró la camioneta.

“Nos presentamos en bodas, quinceañeras, y hasta bazares.. El chiste era tocar”, dijo Dexter.  

Años después, se encuentran en festivales por todo México tocando con su arte a miles. El festival Entijuanarte, por ejemplo, se llevó a cabo este mes en la ciudad fronteriza de Tijuana, en donde hay influencia de todo tipo de culturas y se siente el amor de su gente, dijo Dexter.

Para Dexter, la pasión por la música lo llevó a experimentar literalmente “sangre, sudor y lágrimas” al tocar su primera guitarra que se le regaló con mucho esfuerzo a Dexter. Fue distinto el ver a su vecino que se olvidó y que dejó empolvada la suya como uno más de sus juguetes.

A la misma vez, dice que se trata de compartir esta pasión, y no necesariamente de adaptarse a las demandas de lo que generará más dinero. Para él es una invitación que se le hace al mundo de que acompañen al grupo en esta travesía.

“Si no estás feliz y sólo lo haces por vender, se vuelve un

a cuestión económica y no pasional”, dijo Dexter. “Es ahí donde existe un conflicto de valores personales”.

Si es tocar rock psicodélico como lo hacía anteriormente, o reggae, hacerle un homenaje a ‘De Quen Chon’, o cantar a todo pulmón ‘La Chona’ rumbo a una presentación, lo que importa es que lo disfruten.   

En este caso, es evidente que han podido seguir con su proyecto ‘alternativo’ y tener éxito a la misma vez. Es música universal, o como él la llama, ‘música que su abuelita puede escuchar’. Es más, para él es una misión el llevar este arte al mundo.

Todos forman parte de esta misión de llevar este mensaje. Muchos de sus temas tienen un mensaje optimista o también pueden ser un reflejo de lo que sucede en sus vidas. Por ejemplo, Dexter comparte que el hit de Bálsamo, fue para Caloncho un reflejo del amor de familia. Con el tema ‘Equipo’ se extiende esto a los productores, a los fans y a todos a los que une este proyecto.

Junto a esta filosofía de unión, también comparte Dexter la de el ser únicos. Cada miembro tiene sus propios proyectos, y lo que los une es Caloncho. El punto es no detenerse e ir haciendo lo que la vida les presenta, por eso tienen pensado ir sacando temas conforme los vayan componiendo.

El artista pone el ejemplo de dos dentistas y la idea de que se nos dice que todos tienen que ser iguales. Entonces qué los va diferenciar? El afirma que si a uno le gusta pintar y al otro le gusta el fútbol, hay que aprovechar estas diferencias.

“Somos personas multifacéticas” dijo Dexter.

Para él, el secreto está en el creer que ‘lo puedes’ como si fueses un experto en cualquier cosa. Es un ‘todólogo’, afirma en su descripción de Instagram. Tiene una compañía en donde trabaja con artistas para mejorar su presentación en redes sociales y también le gusta crear música ambiental y relajante en la plataforma de Youtube.

Otra forma de ir dejando semillas en la vida de las personas, es a través de su pasión por la comida. Su estilo de vida, vegana, es difícil en un país carnívoro. Pero, dice que su decisión tiene un impacto a gran escala; tanto en la huella ecológica como en la sociedad en general.

El descubrió que a través de la comida, iba a cambiar el mundo. Dijo Dexter.

“Pero también hay quien comparte esta ideología de manera denigrante”, dijo Dexter. “No es por el lado del odio, si no por el lado del amor”.

 

The Frights at the Observatory North Park

The Frights Sell Out The North Park Observatory to Sweaty Teens, Bringing True All Their Frightening Dreams.

San Diego’s own The Frights played a sold-out show at The Observatory North Park on August 24th, which served as the kickoff date for their fall tour featuring HUNNY and Hot Flash Heat Wave. This hometown show served as a record release party for The Frights’ third full-length album, Hypochondriac, and, unbeknownst to all, as a birthday party for lead vocalist Mikey Carnevale. And what a party it was.

Hypochondriac is The Frights’ first record released on Epitaph Records since signing with the established punk rock label earlier this year. For the most part, the tracks feel softer and more personal than those on The Frights (2013) or You Are Going To Hate This (2016). “Goodbyes” and “Alone” are acoustic and full of raw emotion. Conversely, “Crutch” stands out as pure pop-punk, even bordering on emo territory. Gone is the “dirty doo-wop” sound The Frights were first known for, now replaced with slower, sadder songs about heartbreak.

I started my evening at M-Theory Records for a surprise acoustic set prior to the Observatory show. The Frights played through a lot of their new songs from Hypochondriac (a sound well-suited for an acoustic record store show), as well as some older favorites, such as “Of Age” from You Are Going To Hate This. The show felt intimate and wholesome, standing in stark contrast to what I’d experience later on.

At 8:00 P.M., I embarked to the Observatory for the real show. Supporting The Frights were Orange County’s The Grinns and Los Angeles’s The Marias. Typically, opening bands play for an unenthusiastic or nonexistent audience. Thankfully, tonight was not one of those times.  Towards the end of The Marias’ set, the band announced that they’d never had crowd-surfers at one of their shows and invited us to change that. The crowd obliged, establishing the rowdy energy that would continue for the rest of the night.

Around 9:30 PM, The Frights took the stage. Numerous floor lamps and suitcases had been arranged between the instruments and equipment, creating a visual reminiscent of the album cover for Hypochondriac. The floor was tightly packed as the sold-out crowd moved in for the main attraction.

It had been a while since I’d been to a show like this – Southern California, all ages, that perfect blend of surf/garage/punk rock that you can’t help but move around to. In my usual concert-going locale (Vancouver, British Columbia, Canada, eh?), all-ages shows are rare. Furthermore, the stereotype of Canadian politeness usually extends to concert-going and mosh pit etiquette. “Excuse me, sorry, may I bump into you a bit here, bud?” “Sorry, of course, give’r.” Perhaps that’s a slight exaggeration, but the crowds I’m typically in are either of the mid-twenties hipster or late-thirties dad-punk variety, and it’s never anything I can’t handle. Based on these experiences and the level of “punk” that I ascribe to The Frights (maybe a 4/10 – sorry, guys), I thought that at most I’d be doing some low-key jumping around and singing, with a mosh-pit or two thrown in for some of their faster songs.

I was immediately proven wrong, as three seconds into The Frights’ first song, “Kids” (from You Are Going To Hate This), and I was inadvertently screaming for the first time in years and grasping valiantly (and unsuccessfully) for whatever nearby seventeen year old’s limb I can find to avoid drowning. There was a fleeting moment where I felt myself being swallowed up by the crowd and I wondered “Is this it? Is this how it ends? Trampled to death by teenagers at the Observatory, a mere nine days after arriving in San Diego for my second study abroad semester?” A sense of calmness washed over me as I accepted my fate. Thankfully, I quickly remembered that I’m a grown adult as I found my footing, and forced myself to push around with the best of ’em.

For the rest of the night, the crowd didn’t relent in their rowdiness, which the band reciprocated by putting on a wild show. The setlist felt like an even distribution of songs from their discography, including older favorites like “Makeout Point” (from 2013’s Fur Sure EP) as well as the surf punk tunes from their self-titled debut record that The Frights are most known for. The songs just seemed to keep coming, extending the set for almost a full hour. By the end of the show, crowd and band had bonded in hoarse voices and sweat-soaked t-shirts.

After the requisite chanting of “one more song,” The Frights returned for their encore and played through the entirety of their debut EP, 2013’s Dead Beach. Additionally, two wacky waving inflatable arm flailing tubemen (staples at any Frights show) were revealed and erected, mirroring the crowd’s enthusiasm as the final crowd-surfers of the night sailed overhead. Sweaty and bruised, we all used the last of our energy for one last hurrah in the mosh pit. As the show ended, I had no other wish in the world than to do it all over again.

Written by: Andrea Renney