Choker at the House of Blues

On October 28th, 2019, up and coming artist, Choker graced the stage at the House of Blues San Diego to deliver an intimate and beautiful performance. His mix of R&B, Indie, and Rap created a mix of emotions and ultimately left his crowd wanting more.

After hearing about Choker from one of my close friends we decided to go see him live at the House of Blues. Fast forward to Monday night, we made it to the House of Blues and waited in line to enter the Voodoo Room. I had never been to the House of Blues before, so it was interesting to have the Voodoo Room as my first experience. It was a very intimate room composed of paintings that, I am assuming, have something to do with voodoo culture. I noticed that Choker pulls a variety of fans, individuals mainly interested in R&B and Rap and a few Indie fans.

To my surprise, the opener for Choker was bLAck pARty. He is also an up and coming artist, that fuses R&B, electronic sounds, and Rap. He started off with “No Complaints” which created a mellow vibe where you could find yourself swaying. Next, he performed “Bloom” which picked up the energy and got the crowd moving and grooving. Throughout his performance, he mentioned how grateful he was to be on stage. Something I admired about bLAck pARty was his passion for each song. His passion was noticeable and made the crowd appreciate every word that was sung to them. After his performance, he hung out in the crowd as we waited for Choker.

Around 8:40 PM, Choker arrived on stage and immediately started his set with “Brown Steel” from his debut album, PEAK. After performing “Brown Steel” he shook everyone’s hands that stood in the front of the crowd. He captivated his crowd and manifested for all of his fans to be present at the moment.

Choker continued his set with a few slower songs from his PEAK and Honeybloom album. He decided to pick up the energy with “Suzuki Peaches” and got the crowd jumping with him. Keeping the energy up he delivers two more songs “Gradient” and “Petrol Bliss,” which successfully kept the crowd singing and moving.

After leveling the energy with slower songs like “El Dorado,” “Juno,” and “Lucky” he decided to go into the middle of the crowd to perform “Starfruit NYC.” When the beat dropped everyone started jumping and screaming, “S.D IS AN AIRPORT WITH NO WALLS.” After jumping and getting push around, he returned to the stage to wrap up his performance. As the show neared its end, Choker thanked everyone for coming out and said to meet him at the merchandise table.

We asked Choker if he had any advice to people that want to farther their music career and he said,

“Remember to be passionate and genuine about the music you make, the moment you lose your passion others will notice.”

Choker is as honest and genuine as his music. Check out his music here! If you are going to Camp Flog Gnaw this year he will be performing on Saturday at 3:35pm!

Written by: Jasmine Alexander
Photos by: Jasmine Alexander

Crumb: Jinx Album Review

Breaking through the boundaries of modern-psychedelic indie rock, Crumb’s latest album, Jinx, broadens past experiences of melodic and atmospheric twists in ten songs, extending it into the present, experimental dream-like state in which Crumb embodies.

Released on June 14 and about 27 minutes in length, the Brooklyn-based psychedelic indie-pop group bring about direct, engaging instrumentation through this newly released lyrical experience. Jinx is Crumb’s debut album, their first long play after releasing two EP’s in 2016 and 2017. The first two Extended Plays released were very heavily guitar focused— but, we can hear the maturity in the sound of this new album with a balance of dream-pop synth and defined guitar leads that almost sound vibrato. 

Crumb – Audiotree Far Out Session

Jinx feels like an elapsed, extended timeline of a change in emotional anxiety, atmosphere, and landscape. This grows through a multitude of time changes, gradual buildups, and lengthy, yet important self-realizing breakdowns. Reverting back to verse lines and stagnant leads in middle and end, the quartet keeps the listener wanting more, yet simultaneously feeling completely satisfied with the material.

Tempo changes in the songs create a tense new groove based on a faster beat and chord and melody changes. These newfound sections shift parts of the album from a slow, more temperamental song to an increasingly dancy, upbeat mediation. 

As we near the end of the album, “Part III” starts on a more dramatic note, but continues the slow guitar strums of Crumb’s signature sound that has developed throughout the listening and builds with airy arpeggio lines on the synth. This song is solely focused on keyboard chords and lead, where the guitar which blends into the background. A pause shifts the vocals onto falsetto and a dominant guitar line in front of the song, while octave bass lines build up towards the climax of the song.

“Jinx,”  the final song of the album, feels like an interlude and a release of emotion and feeling built up over the course of the ten song debut. The sound of water and waves especially gives a crashing sensation, as if we are coming down from floating in space.  

Above all, Jinx feels like a nostalgic spiral of changes in climate, ultimately leaving you with a breezy, strung out, and dizzy state that comes close to a fever dream in space. A personal favorite from this album is M.R. Crumb are establishing a new sound, whilst building on top of their old one, gripping and captivating us as we anticipate what is next.

Written By: Jesse Miller

Julia Michaels at House of Blues San Diego

If you want to have a great time at a concert dancing and singing the night away – Go to a Julia Michaels Concert!

You truly won’t regret it. Both Julia Michaels’ energy and her audience’s energy filled the room. I can honestly say that her concert was one of the most fun ones I’ve been to simply because she had the loudest crowd.

Julia Michaels performing at House of Blues San Diego

Julia Michaels sold out her 9th headlining show for her Inner Monologue Tour at House of Blues San Diego on April 20, 2019. She is a very busy artist as she is also currently touring with P!nk on her Beautiful Trauma Tour at the same time as her Inner Monologue Tour.

Many of you may know Julia Michaels. However, if you’ve never heard of her, then you’ve most likely heard her hit single, “Issues.” Before that, Michaels was writing hit singles for other artists such as Justin Bieber’s “Sorry,” Selena Gomez’s “Bad Liar,” Nick Jonas’s “Close,” and many more.

What is interesting about Michaels is she’s an intricate person – I’d describe her as a beautiful badass with her signature feminine floral dresses and her tattoo sleeves and nose ring. She has a very distinctive and different sound than most artists and her voice is easily recognizable.  Michaels is also a very open musician, which was the concept behind her “Inner Monologue” – those thoughts that she has that people don’t see from the outside. The stage represented what you see on the outside – everything is happy with smiley faces and flowers, but you listen to the lyrics and realize everything isn’t all sunshine and rainbows.

Michaels attempted to make her tour relatable by letting her fans know that it’s okay to go through depression or anxiety.

Julia Michaels made it clear that it was a judgement free zone and safe space for everyone to let go and sing and dance. Her music has a feel good vibe to it, and it was so much fun letting loose and relieving stress by screaming along to her songs. Additionally, her songs hold a lot of emotion and truth, so it naturally felt as though this was a place to just let everything out.

Julia Michaels has such a strong connection with her audience, she wanted to get as close to them as possible.

At one point, Michaels’ security carried her into the audience as she finished “Happy,” followed by a cover of Cee Lo Green’s “Forget You,” and then a ukulele rendition of her own song “Apple.” She also sat on the edge of the stage pointing out her audience’s posters and making eye contact with fans. I even heard from some fans that the meet and greet took two hours because she’s so genuine and her conversations with each individual were long and personal.

I love how you could tell the audience truly admires Julia as they all had matching floral dresses and sneakers similar to Julia’s. But despite their elegant appearance, they were definitely one of the loudest audiences I’ve ever heard in a venue. Sometimes, you couldn’t even hear Julia because the audience had so much passion and energy! It’s amazing when songs from concerts become your new favorites because of how amazing and fun they sound live – and for me those songs were“Into You” and “Happy.”


I loved getting the opportunity to see Julia Michaels. Her message she imparted that you shouldn’t be afraid to be yourself and let your feelings out deeply resonated with me. If you want to have one of these fantastic nights with an amazing artist, make sure to go see Julia Michaels on her Inner Monologue Tour.

Review By: Alexandra Will
Photos By: Alexandra Will

SwuM & TVBOO at Music Box

The SwuM/TVBOO show at Music Box was a bass thumping, energy-inducing high of good-vibing music.

Held at the Music Box in downtown San Diego, the show catered to people of all ages, but targeted the young in the community (18+, although I did see a couple 12 year olds running around). Although the advertising mainly promoted SwuM & TVBOO, there were several opening acts consisting of talented/young DJ’s & musicians who are breaking into the industry. I am proud and honored to say that not one, but two of my coworkers performed that night and amazed myself and the audience with their immense skill.

Doors opened around 7pm and people flooded in ready to experience a great environment.

The venue itself had a bar for those who were of age, and a merchandise shop to pull in some extra revenue. While there was little to no sitting room (not including VIP), it was not really needed as the crowd preferred a more open area to jump along to the bumping music.

Kastro opened the evening as the venue opened to the public, and introduced us to the wonderful evening and mood that would be set for the evening. My coworker, Domoniqxe, went on next and showcased some amazing original compositions that the crowd really enjoyed. She then handed the floor to Lydon (another coworker of mine) & Zuma who really got the crowd moving with some bass-heavy mixes. Both of them served as DJ’s as well as MC’s and worked well with one another. From there, there were a few more wonderful openers before the main acts came on stage. SwuM is notorious for the lo-fi genre and catered to audience seamlessly.

TVBOO is a more hype edm/dubstep type artist and was saved for later in the night. Some people only went for the latter of the two as TVBOO creates a different atmosphere than SwuM. Having the two perform in the same night was a good move though because electronic artists have such a wide variety of fans that can vibe together.

All in all, it was a wonderful show made possible by talented artists, dedicated people, and a great venue. I hope to see everyone artist again in the future, maybe even on a bigger stage.

A major shoutout is also in order for Lydon & Domoniqxe as they publicized the event to a large majority of San Diego State University students.

Written by: Eduardo Orozco
Pictures by: Eduardo Orozco