Concert Review: Vacations at the House of Blues

Vacations and opener, Harmless, shared a blissful and lively night with the crowd at the House of Blues on Mar. 4, 2022.

Last Friday (3/4), I had the opportunity to go see Vacations at the Voodoo Room in the House of Blues. After waiting almost two years to tour, Vacations kicked off their first U.S. tour in Los Angeles and then made their way down to San Diego for their third show. This Australia-based indie-pop/rock band was a staple in my early high school years, specifically during 2018-2019, so I was excited to see them live and experience some nostalgia. 

The venue completely took me by surprise; the inside was highly decorated with detailed beaded walls and paintings from local artists, which gave off a fancy but rustic feel. Doors opened at 7:00 and even though my friend and I got there around 6, we were just a row behind the barricade. Side note: I’m from the Bay Area, and one thing that always catches me by surprise down here in San Diego is how late everyone arrives at concerts! In San Francisco, people are lining up at 4:00 for an 8:00 show. 

Harmless photographed by: Sofia Dell’Aquila

Opening for Vacations was indie-pop artist Harmless who was not only talented but super entertaining. He was cracking jokes, referencing popular memes, and even whipped out some choreographed dances with his guitarist in the middle of songs. Because of his interaction with the crowd throughout the entire show, you felt like you knew him personally by the end of the set! I had never previously heard of his band, but I knew the last song that he played, “Swing Lynn,” which went viral on the internet a couple of months ago. 

Vacations photographed by: Sofia Dell’Aquila

Vacations came on promptly at 9:00 and opened with their song “Moving Out” from their sophomore album Changes. Their romantic and melancholy lyrics mixed with whimsical instrumentals had the whole room dancing and swaying. The room swirled with soft pinks and blues, perfectly corresponding to the playful and lighthearted aura that their music gives off. Later, they played some songs from their 2016 album Vibes and their 2020 album Forever in Bloom, such as “Home” and “Lavender”. Though there were a lot of technical difficulties, the band made the most out of their spare time by talking with fans in the crowd and expressing their excitement to be touring again, and in a new country nonetheless. They even passed some time by playing the “Cowboy Bebop” theme song and the “Neon Genesis Evangelion” closing song, which totally caught my friend and me off-guard because we love those shows. After getting a new guitar, they continued and played my favorite song “Telephones” with dimmed lights, further amplifying the intimacy that the song already projected. 

Vacations photographed by: Sofia Dell’Aquila

Reading the excitement of the room, the band decided to skip the encore pause and just go straight into their last songs. They ended the night with their hit song “Relax” and then took a big audience photo for the art project that they were working on while on tour. Overall, the energy throughout the entire night was amazing, and seeing Vacations live was a great way to revisit some positive memories from my younger teen years.

Written by: Sofia Dell’Aquila

Spoiler-Free “Scream” Review

The latest addition to the “Scream” franchise came out last month after decades of sequels, remakes, television series, and parodies that would have left most franchises completely devoid of any good content. 

I’m a huge horror movie fan and the original “Scream” film is one of my all-time favorite movies so while I was excited to see the new installment, I went in with low expectations. However, I was pleasantly surprised by one of the most enjoyable horror films to come out in recent years. Unlike many films that have followed the same formula in the past, the new film seemed to capture and update what made the original 1996 “Scream” movie great. Clever writing with the self-awareness to the horror genre’s tropes, a cast of suspicious characters with potential motives, relevant comedy, and of course great kills. It took the basic “Scream” formula, the mysterious killer in the Ghostface mask violently picking off people in the town until the big reveal, and updated it without forcing modernity.

The script of the film read to me like it was written by someone who really loved and understood the original “Scream” movies. It started with an homage to the iconic opening phone call scene in the original Scream with Drew Barrymore (“what’s your favorite scary movie?”), but with updated dialogue to reference newer horror movies and current discourse surrounding what makes a scary movie good. The film followed the rules and pacing of the original story in the way a lot of horror remakes didn’t. The new Ghostface kept all the classic personality traits that made them a menacing but entertaining killer to watch. Stars Jenna Ortega and Melissa Barrera held their own as the film’s protagonists who would become both the victims and possible suspects of Ghostface’s violent acts. And while the dialogue was updated for a modern audience, the writing didn’t try too hard to push social commentary or create an exaggerated version of how adults think teenagers talk.

What made the movie so fun for me was the meta self-awareness. I was expecting another gory slasher packed with references to previous horror movies where we watch a group of protagonists fight for survival against Ghostface while they try to unmask the killers, but the film provided a more clever rendition of this. This film takes place within the world of film where the town is known for the bloody Ghostface murders of the ’90s, and the “Scream” movie franchise exists but is instead called “Stab,” a series of movie adaptations based on the “real” events of the past “Scream” movies. The main characters in the film are all aware of their town’s gruesome past and it helps inform their decisions throughout the movie. Both the real-life murders and the movies are referenced throughout the film in a variety of clever ways. The original characters also tie back in with the original story in a clever way. 

For example, there’s a scene in the film where a character watches the iconic scene from the 1992 “Scream” where Randy, the film’s horror movie nerd who lays out rules for survival throughout, watches a scene from an old horror movie while complaining about how dumb and unrealistic it is that the characters in horror movies never look behind themselves in movies. The irony of that scene is he is then killed because he didn’t see Ghostface sneaking up behind him. In the new film, this self-aware irony is taken to a new level when Mindy, the horror movie nerd of the new group of teenage protagonists who lays out rules for survival throughout the film, watches the reenactment of that scene in the “Stab” movie while laughing at the irony of Randy making fun of the character while not following his own rules despite that being his main character trait. In traditional “Scream” fashion, as she yells “look behind you,” Ghostface is creeping up behind her on the couch.

My main critique of the otherwise enjoyable film was some of the performances of the supporting cast. Because most of the main characters were teenagers there were a lot of newcomers in the supporting cast who didn’t match the energy of the stars. There were some characters I found unnecessary or annoying but I understood why they had to be there to add suspects for who the new Ghostface would be. They didn’t take away from my enjoyment of the film.

The movie was a lot of fun and the experience of seeing it went above any new horror movie experience in recent memory. It was the perfect blend of scary, funny, and over-the-top that made me love the original Scream. Because the reveals are what makes this movie so interesting, it’s hard to fully discuss without spoiling, but when the killers are revealed it’s a great payoff that feels like it could be joining the list of iconic scenes from the entire franchise. Without giving it away,  I thoroughly enjoyed the film as a whole and I’m looking forward to seeing the direction the franchise goes in.

3.5/5 Stars

Written by: Naiima Paul

SDSU MBB Needs to Play Better

Recap of the 66-53 win over UC Riverside on Nov. 9

SDSU MBB returned to Viejas Arena on Tuesday to face off against UC Riverside. The Aztecs looked to show their dominance after a sort of disappointing win against St. Katherine.

Any win is good, especially if it’s starting off the season 1-0. But for the Aztecs, these are not the wins that they should be ecstatic about. The Aztecs won by 13 against UCR but a double-digit win doesn’t tell the whole story.

The two teams were close throughout the entire game even being tied 13-13 with 11:38 left to go in the first half. Offensively besides Seniors Matt Bradley and Trey Pulliam, the Aztecs could barely buy a basket. Only two players for the Aztecs scored in double digits, Bradley 23 and Pulliam 15.

The team shot just 2-11 from deep and 18-29 from the line. Although the Aztecs won the rebound battle 34-26 it wasn’t pretty. Without Nathan Mensah on the court, the rebounding was sloppy and lackadaisical. 

Again, Sophomore Lamont Butler struggled in 16 minutes scoring just five points. Although Butler started in the preseason versus St. Katherine, Senior Adam Seiko started versus UCR. In 29 minutes Seiko scored zero points, had one assist and one turnover.

A bright spot for the team was Chad Baker-Mazara. In 16 minutes, he brought energy, energy, and more energy. Baker-Mazara had a crowd-raising block and knocked down three free throws early in the game.

After another game in Viejas Arena, the Aztecs still don’t look like a top 25 team in the nation. They struggle to shoot the three-ball and outside of Mensah, Bradley, and Pulliam they struggle to score the ball. Bradley is going to have to score the ball at a high rate if they want to have a chance in a competitive game. 

Once again, if the Aztecs want to be a top 25 team in the nation, THEY NEED TO PLAY BETTER! Next up will be a good matchup against an always competitive BYU team.

Full game recap: https://youtu.be/kuMumFKT_yA 

Written by: Carson Cook

Concert Review: Soccer Mommy at San Diego’s Music Box

Reviewed and photographed by Maya Tomasik

I had never heard of Soccer Mommy before attending her show at Music Box, here in San Diego. I discovered that I did have a few of her songs saved on my Spotify but, ultimately, her stage name didn’t stick to me before appreciating her live performance. 

Photo Credit: Maya Tomasik

Swiss-born singer-songwriter Sophia (Sophie) Allison, sounded so soft and dreamy on stage. I respect her honest and expressive lyrics, and her transitions between songs were incredibly smooth.

Photo Credit: Maya Tomasik

The band had the whole crowd swaying but, I still felt like something was missing. They sound like a melancholic indie dream, and maybe I’m just not into that type of music anymore. Other than that, I also felt like Sophie could’ve brought a bit more energy to the venue. I didn’t hear much from her and she seemed a bit rigid that night. Nevertheless, I enjoyed the show and Music Box.

Photo Credit: Maya Tomasik

It was my first time attending a show at Music Box and I’m so happy to have spent my night there. It’s a three-story venue with many tables and seating areas. They also have two outdoor areas you can mingle at without having to leave the venue entirely.  I am now in love with this venue and can’t wait to attend more shows there.

Written by: Maya Tomasik