What’s Leaving Netflix

Can you believe December is here? As we enter the final month of 2020, Netflix announced which TV Shows and movies will be removed from the streaming service at the end of next month. All of the “Oceans” films, along with my favorite TV series “The West Wing,” all seven seasons. The good news is that the show could move to the new streaming service, HBO Max. Take a look at the list below and catch these titles before they’re removed from the streaming service.

Screenshot of “The West Wing” cast photo from NBC

December 1:

Anaconda (1997)

Bad News Bears (2005)

Cheapest Weddings (Season 1)

Diana: In Her Own Words (2017)

Gridiron Gang (2006)

Hostage (2005)

National Security (2003)

Lakeview Terrace (2008)

Merlí (Season 1) Netflix Original

Moneyball (2011)

Ocean’s Eleven (2001)

Ocean’s Twelve (2004)

Ocean’s Thirteen (2007)

Priest (2011)

Stand and Deliver (1988)

The Adventures of Sharkboy and Lavagirl (2005)

The Bachelor (Season 13)

The Jaime Maussan Show (Season 1)

The Poetist (Season 1)

The Tribes of Palos Verdes (2017)

West Side Story (1961)

Y Tu Mamá También (2001)

You Don’t Mess with the Zohan (2008)

Zodiac (2007)

December 2:

Borderline (Season 1)

Pacific Heat (Season 1) [Netflix Original]

December 9:

Four Seasons in Havana (2016) [Netflix Original]

Sin senos sí hay paraíso (2018)

December 11:

Disney’s Ralph Breaks the Internet (2018)

December 15:

Bad Education (Seasons 1-3)

Chasing Monsters (Season 1)

Emogenius (Season 1)

Hart of Dixie (Seasons 1-4)

Idiotest (Season 1)

Minute to Win It (Season 1)

Reggie Yates’ Extreme (Season 1)

Shtisel (Seasons 1-2)

Sym-Bionic Titan (Season 1)

Winsanity (Season 1)

December 16:

Sensitive Skin (Season 1)

Removal Date TBA:

The West Wing (Seasons 1-7)

Now that we know what’s schedule to leave the service what show or movie will you be watching before it’s off the streaming service? Let me know on Instagram or Twitter @MikeStarkCA I am thinking a “The West Wing” re-watch is in order for me and checking out all the Oceans movies.

Feature Photo Credit: Screenshot of Ocean 11 Cast from Warner Home Video


Sony Pictures Address Spider-Man 3 Casting Rumors with a Brief, Yet Cryptic Statement

As various reports indicate that Andrew Garfield and Tobey Maguire will join Tom Holland for the third Spider-Man film, Sony finally comments on the rumors surrounding this highly anticipated release.

The Hollywood Reporter has recently stated that both Jamie Foxx and Benedict Cumberbatch were reprising their respective roles as Electro and Doctor Strange for the upcoming Marvel movie. News of this sent fans into a frenzy, pointing towards the possibility of tie-ins with previous Spider-Man installments.

Shortly after, other sources claimed that Garfield and Maguire were in talks with Sony and Marvel to also make reappearances. This would unite three live-action renditions of the character, connecting parallel universes similar to Sony’s 2018 animated film Into the Spider-Verse. Maguire, who first starred as Spidey in the mid-2000 Sam Raimi films, would join forces with Garfield, who took over the reboot in 2014’s The Amazing Spider-Man. Pairing these two with the current web-slinging hero Holland is surely something to attract nostalgic viewers and new fans alike.

A potential storyline revolving around a multiverse of Peter Parkers would definitely serve as an interesting plot, but fans might not want to get their hopes up too soon. A representative from Sony released a statement to Entertainment Tonight Canada saying, “These rumoured castings are not confirmed.”

As straightforward as that might sound, the statement doesn’t entirely deny the casting buzz. It could mean that the roles are still being figured out, which would technically make the statement true–the rumored castings are not confirmed…yet. Many have speculated that both studios are simply trying to keep information confidential until closer to the film’s release, slated for December 2021. Considering that news of Jamie Foxx’s return was reportedly leaked, it would make sense for Sony and Marvel to restrict what they say in order to avoid any more spoilers. While these rumors are yet to be 100% verified, it would be exciting for all of these worlds to collide in one cinematic universe.

Written by: Nathalie Lum, @nathalielumm on Instagram

Featured Photo Source: Comingsoon.net

Netflix’s “The Devil All The Time” is the perfect spooky movie to watch at home

If you’re looking for a spooky thriller to watch, Netflix’s “The Devil All The Time” is the perfect movie for you. It’s based on the book written by Donald Ray Pollock, which is about a young man trying to overcome adversities set in his small town. There are serial killers on the run while a preacher takes advantage of his role in church.

In the movie, you’ll recognize well known actors such as Tom Holland, Robert Pattinson, Bill Skarsgård, and many more. It takes place right when World War II ends and begins with how the main character’s parents meet. I don’t want to expose any spoilers so you’ll get a chance to watch it, but just be prepared for some creepy and confusing scenes.

As I was watching the movie, I really enjoyed seeing Tom Holland take on a different role rather than being a superhero. Throughout each scene, they were mostly dark, gloomy, and suspenseful scenes that captured the sense of “watching your back” knowing how mysterious the town was. There are twists and turns that keep you on your feet. Although it is 2 hours long, it’s the type of movie you want to see until the end.

The film does contain scenes that could be disturbing to some people, but overall it’s a great film to watch. The movie touches on topics of faith, abuse of religion, family, and corruption. Personally I love watching movies that I get to come up with my own conclusions or stick the pieces together, and “The Devil All The Time” executes that. However, I’m still confused on some aspects of the film, but maybe that’s why there’s a book to read about it.

So if you’re looking for the next spooky movie to binge watch on Netflix, I recommend “The Devil All The Time.”

Written by: Ariadna Rodriguez Perez

Photos by: Netflix’s Youtube Trailer of “The Devil All The Time”

Another Little Women Movie

Including the Little Women 2019 film, the classic novel now has six movie adaptations and twelve television adaptations. One may think, how many times can one story be told?

Greta Gerwig’s version simply shows the movie industry’s plan to profit off the nostalgia of its audience to disguise its lack of inventiveness! Why would Gerwig, the director who was able to poignantly capture the twister of emotions that comes with teenage girlhood in her film Lady Bird, settle for creating another remake? Well, as someone who has seen the movie twice and plans to see it many more, Gerwig’s Little Women is more than a remake, more than a holiday movie, and more than just a simple tale of domestic life. Just like Lady Bird, Gerwig made a film that represented me so accurately that it allowed me to experience the most beautiful pain.

“But… I am so lonely.” 

There is much to love about this film that contains very much love within it, but the purpose of this article is to focus on the quote said by the character Jo March, “Women, they have minds and souls, as well as just hearts. And they’ve got ambition and talent, and as well as just beauty, and I’m so sick of people saying that love is just all a woman is fit for. I’m so sick of it! But… I’m so lonely!” Although Saoirse Ronan (Jo March) never fails to brilliantly portray her characters, the warm tingles suddenly shooting up my spine while she delivered these lines made me certain that I was hearing something that would mean a lot to me.

A longing to be extraordinary 

I am a young woman living in the United States in 2020, not the 1860s. I haven’t had to prove to anyone that I have dreams I’m capable of obtaining that don’t revolve around marriage and children. Like Jo, I am independent, passionate, and dedicated to creating something memorable and impactful, but I, too, sometimes feel stuck in the loneliness that can come with it. I know I’m supposed to think that I am worth more than the love that any man can give me, but there is still a longing to be told, and proven to me, that I am extraordinary. Not only to be shown that I am great by my success but to know that my love is magnificent enough to be held by another. To have someone to want you to reside in their time, allowing you to leave the loneliness of your own. I usually laugh at these thoughts and call them outdated, I am a creator, I am modern, I am enough for myself, but women can know that they are fit for more than romantic love without feeling guilty for wanting it. Being loved and being independent doesn’t have to be contradictory. 

We are not one feeling

Women exist in more than one way and can have more than one dream. Having multiple dreams doesn’t make any of them unimportant or less meaningful. Not striving for romantic relationships doesn’t mean we’re going to live a depressing life of solitude that make our dreams seem futile. Admitting to loneliness and wanting to be loved doesn’t make us weak, shallow, and unambitious. To feel like a serious creator doesn’t mean that the entirety of our lives has to belong to our art. Women have been shamed throughout history for all of our dreams but acknowledging all of them reminds us that we are real and keeps us honest. In two hours and fifteen minutes, Gerwig shows her audience the vastness of women’s minds, the strength of our hearts and souls, the power of our ambition and talent, the realities of our loneliness, and the beauty that all of them express.

More than another adaptation

Much time has passed between Jo March’s time and my own, our experiences are different, our societies aren’t exactly the same, but what has traveled between us is the multitude of our wholehearted love and the aches that arise from not always being certain if we’re putting it in the right place. Little Women (2019) reminded me to care for those around me a little more, to celebrate every aspect of my youth while it can still be felt, the significance of my dreams, the intensity of loneliness that’s seemingly unshakable, and that I am grateful for all of it. This film is more than another adaptation, but its own entity that allows a new generation to have our feelings seen. No one will forget Jo March and no one will forget Gerwig’s Little Women.

Written By: Maya Dixon