Dodie at the House of Blues

On October 9, 2019, English singer-songwriter Dodie brought her fairy-like presence to the House of Blues for her “Human” tour.

Better known to some as “doddleoddle,” Dodie began on YouTube posting original songs and covers, mainly with her ukulele, or her “extra limb.” I have been watching her since about 2012 or 2013, and she has been one of my main and longest inspirations when it comes to music and songwriting. It has truly been an honor to be able to watch her grow and grow alongside her, and finally, see her perform in concert.

Dodie started out her set upstage with beautifully hopeful “Arms Unfolding” going into “Monster” as she finally ran to the front. I wish I could describe the happiness that the fans at the barricade radiated as Dodie came closer. I could feel that this moment was important for them, too, which made the show even more enjoyable.

Dodie has a certain aura to her that beckons you to pay attention, while still staying soft and effervescent.

“Sick of Losing Soulmates” and “She” are some of her slower songs, and I think they pack the most punch. In these two she tells very personal stories through her lyrics, wrapped up in melodic guitar plucking, that leave you in somewhat of a trance. Especially if you can relate to them, these songs will most certainly strike a chord in you, while maintaining a sense of airy beauty while you listen. They can serve as sometimes painful reminders that we are indeed “human” and have to deal with losing people in different ways, and possible struggles with sexuality; but just like “She” says, it can feel “oddly good to hurt.” Having Dodie performing them herself in front of me added another level of ‘personal’ that I never thought could be unlocked; because of that, I’d say these two songs were my highlight of the night.

Another highlight was the lighting.

I’m always one to appreciate more than just the performance itself, and Dodie’s show definitely did not disappoint. I loved the string lights that decorated the stage, the neon “dodie” sign in the back, the rainbow lighting, and how the spotlights changed to focus on which musician had a special part (cello, violin, etc.). That being said, every member of her live band was amazing as well and each felt important, especially when they came to the front for their solos. Dodie was accompanied by guitarist (and another one of my favorite singer-songwriters) Orla Gartland, bassist Pete Daynes, drummer Ross Craib, cellist Sophie English, and violinist Will Harvey.

Listen to Dodie here.

Written by: Emerson Redding
Photos by: Emerson Redding



Tobi Lou at the House of Blues

Up-and-coming artist Tobi Lou delivered a memorable performance that seamlessly merged rap and melodic pop into one lighthearted and fun show on Saturday, September 28.

I arrived at the House of Blues, the hottest venue in all of San Diego, about two hours before Tobi Lou got on stage. A little too early if I must say, as I sat around for an hour before the employees let me in to the event. The show was held on the smaller stage called “The Voodoo Room” which I had never been to before.

The show began with the artist named Lil Trxptendo who brought a lot of good energy into the early hours of the performance. At the young age of 17, Lil Trxptendo has brought his music into the limelight, a feat that he was very proud to discuss in between songs. At one point, he even invited four audience members on stage where they all danced together and had a “woah” off. For those of you unfamiliar, a “woah” is a popular yet easy dance move that has come into the limelight during 2019.

The next artist to hit the stage was Femdot, a rapper out of Chicago. With the recent release of his project 94 Camry Music, the energy was off the charts. His live performance consisted of a mix of hype songs that had the crowd jumping and smooth, introspective tracks about his struggles. 

As I waited for Tobi Lou to come on stage, I stood outside the venue to get a little bit of a break. Sitting there going through my photos so far, I turned to see Tobi Lou, with his easily recognizable four puffs of blonde hair, himself just hanging out with his squad getting ready for his performance. He was approximately 5 feet away for a solid 20 minutes, and I wanted to say “what’s goooood bro can I get a pic” so bad but felt like that would be annoying right before his performance. Maybe I was just too deep in my own head.

Anyways, Tobi started his performance with one of my personal favorite songs “I Was Sad Last Night I’m Ok Now” and it was nothing short of great. The audience had been waiting a long time and knew all the lyrics to every song. He emits a bubbly, lighthearted, yet confident stage energy that was rare to see from an artist that is still considered “on the come up”.

I hadn’t heard of Tobi before going to the concert, but I actually consider myself a fan now. His style of music is right up my alley, and many of his songs have since been added to my go-to playlist. His “Happy + Extra Sad” nation-wide tour will be continuing until 10/20, where his final show will take place in his hometown of Chicago. If you like upbeat, modern rap music with a taste of bubbly pop, check out Tobi Lou here.

Written by: Justin Neeley
Photos by: Justin Neeley


Julia Michaels at House of Blues San Diego

If you want to have a great time at a concert dancing and singing the night away – Go to a Julia Michaels Concert!

You truly won’t regret it. Both Julia Michaels’ energy and her audience’s energy filled the room. I can honestly say that her concert was one of the most fun ones I’ve been to simply because she had the loudest crowd.

Julia Michaels performing at House of Blues San Diego

Julia Michaels sold out her 9th headlining show for her Inner Monologue Tour at House of Blues San Diego on April 20, 2019. She is a very busy artist as she is also currently touring with P!nk on her Beautiful Trauma Tour at the same time as her Inner Monologue Tour.

Many of you may know Julia Michaels. However, if you’ve never heard of her, then you’ve most likely heard her hit single, “Issues.” Before that, Michaels was writing hit singles for other artists such as Justin Bieber’s “Sorry,” Selena Gomez’s “Bad Liar,” Nick Jonas’s “Close,” and many more.

What is interesting about Michaels is she’s an intricate person – I’d describe her as a beautiful badass with her signature feminine floral dresses and her tattoo sleeves and nose ring. She has a very distinctive and different sound than most artists and her voice is easily recognizable.  Michaels is also a very open musician, which was the concept behind her “Inner Monologue” – those thoughts that she has that people don’t see from the outside. The stage represented what you see on the outside – everything is happy with smiley faces and flowers, but you listen to the lyrics and realize everything isn’t all sunshine and rainbows.

Michaels attempted to make her tour relatable by letting her fans know that it’s okay to go through depression or anxiety.

Julia Michaels made it clear that it was a judgement free zone and safe space for everyone to let go and sing and dance. Her music has a feel good vibe to it, and it was so much fun letting loose and relieving stress by screaming along to her songs. Additionally, her songs hold a lot of emotion and truth, so it naturally felt as though this was a place to just let everything out.

Julia Michaels has such a strong connection with her audience, she wanted to get as close to them as possible.

At one point, Michaels’ security carried her into the audience as she finished “Happy,” followed by a cover of Cee Lo Green’s “Forget You,” and then a ukulele rendition of her own song “Apple.” She also sat on the edge of the stage pointing out her audience’s posters and making eye contact with fans. I even heard from some fans that the meet and greet took two hours because she’s so genuine and her conversations with each individual were long and personal.

I love how you could tell the audience truly admires Julia as they all had matching floral dresses and sneakers similar to Julia’s. But despite their elegant appearance, they were definitely one of the loudest audiences I’ve ever heard in a venue. Sometimes, you couldn’t even hear Julia because the audience had so much passion and energy! It’s amazing when songs from concerts become your new favorites because of how amazing and fun they sound live – and for me those songs were“Into You” and “Happy.”


I loved getting the opportunity to see Julia Michaels. Her message she imparted that you shouldn’t be afraid to be yourself and let your feelings out deeply resonated with me. If you want to have one of these fantastic nights with an amazing artist, make sure to go see Julia Michaels on her Inner Monologue Tour.

Review By: Alexandra Will
Photos By: Alexandra Will

Catfish and the Bottlemen at the House of Blues

Catfish and the Bottlemen

Catfish and the Bottlemen played at the House of Blues San Diego to a sold out crowd. But first…

Did you know that Catfish and the Bottlemen were originally called, “The Prestige?” The band started in April 2007, when Van and Billy started playing guitar together. They started playing shows all over Wales, opening up for their friends bands, as well as other gigs. The band had an early demo played on BBC Radio 6 Music in March 2009. They ended up changing their name to Catfish and the Bottlemen, which comes from Van McCann’s first childhood musical memory. This memory was watching a street busker in Australia who went by the same name. They continued to play gigs, and in 2013, they signed to Communion Music, and managed to release three singles. The next year, they signed to Island Records. On this record label, they released their debut album “The Balcony.” One single, “Kathleen,” ranked at number one on MTV’s hottest tracks in April 2014. Since the release of their first album, they have been constantly touring, playing festivals and shows all over the world.

Van McCann at the House of Blues on March 19, 2019.

The last time I had seen Catfish and the Bottlemen was in 2017, in Toronto, Canada, at the Rebel. They were still on tour for their second album “The Ride,” which has been described as, “just blistering, swashbuckling tunes.” The venue was humongous, and with a sold out crowd of 2,500 people, it was an insane show. It had been the first time I had seen them live and the performance was astonishing. I have been to way too many concerts to count, and that Catfish and the Bottlemen concert is still one of my favorites.

Flash forward to Catfish and the Bottlemen at the House of Blues…

This time, seeing Catfish and the Bottlemen was a whole new experience. It again was a sold out show, but this time at the House of Blues San Diego. With a capacity of only 250 people, it was destined to be a much more intimate show. The Worn Flints opened up the show, playing for about thirty minutes. Catfish and the Bottlemen went on at 9, and I got to shoot the show from the photo pit for the first three songs, which were “Longshot,” “Kathleen,” and “Soundcheck.” While I was in the photo pit, every time I would turn around and look at the crowd, I could see pure joy on everyone’s face. After shooting the first three songs, I went into the crowd and joined my friends. The atmosphere at the show was just pure bliss. Everyone was having such a good time, screaming the lyrics right back at the band.

They played a total of 17 songs, ending with “Tyrants.” The crowd and I also got to hear their new single, “2all,” for the first time ever live, along with other songs from their upcoming album. If you have not had the chance to see Catfish and the Bottlemen live, you are missing out on an extraordinary experience that is like no other.

Catfish and the Bottlemen is releasing a new album called “The Balance,” on April 26th, which they already have three songs out from the new album: Longshot, 2all, and Fluctuate. They have not released anything since 2016, their album “The Ride,” so this album has been much waited for. You can preorder their new album here!

Written by : McCaeley O’Rourke
Pictures by: McCaeley O’Rourke