Check out these tunes if you like electronic dance music.
In this blog, I’m going to highlight electronic music that has recently been released, as well as those that are soon to be. Mark your calendars and open your music libraries because you will definitely find some good music in here!
Upside down (feat. Grouplove) – Whethan, Grouplove
I love Whethan and I love his new song! It’s definitely a happy beat to listen to.
Get By – Medasin, Cautious Clay
This was the first single released from Medasin’s upcoming album. I really love the vibe of this song, and how Medasin and Cautious Clay combined their sounds into it.
“Es Isso” – Habstrakt, Asdek
If you like bass house, you’ll love Habstrakt’s new song! It definitely gets you hype.
Free Your Mind – Big Gigantic
I really love Big Gigantic’s new album! It is so pretty and highlights Big Gigantic completely. Definitely give it a listen!
“Every Color” (with Foster the People) – Louis the Child, Foster the People
I really liked this song. I like the collaboration between these two artists, because they fit together! Foster the People and future bass are an awesome combo.
“Never The Same” – STRFKR
This song is definitely a chill vibe. One of my new favorites.
“Ghosts” (feat. Hana) – Tchami, HANA and “Proud” (feat. Daecolm) – Tchami, Daecolm
Tchami is one of my all-time favorite house music artists. Both of these songs are so good and I’ve listened to them nonstop! Check these out if you love house music vibes.
RIPPLS – Medasin (album released March 6)
Medasin comes out with his new album RIPPLS on March 6! I read other people’s tweets reacting over his listening premiere and they have only good things to say about it. I am excited to see his creativity and soul projected in this album.
“The Difference” – Flume, Toro y Moi (song released March 11)
For those of you that don’t know, Flume is my absolute favorite electronic music artist. I am so excited to see what he has to show us with this new song — I heard it was drum and bass!
I hope some of these songs have expanded your music library! Check out these artists for some awesome new music.
JAUZ and his Dangerous Waters Tour stops at the Observatory North Park in San Diego on February 8. Artists TYNAN and Habstrakt opened his performance.
After getting back into the spring semester grind, it was time to attend a new electronic show.
Jauz announced the dates for his Dangerous Waters Tour over winter break, and the tour stopped at San Diego’s Observatory North Park on Feb. 8. The show was sold out days in advance.
Along with tour dates, Jauz announced that he was excited to reveal a new stage production for his tour: The Fin.
Sam Vogel, known as Jauz on stage, is a DJ and electronic music producer from San Francisco. He founded his own label in 2017, called Bite This. He’s mainly known for his bass house, trap, and dubstep.
Each stop on his tour had different opening special guests for Jauz. San Diego got to experience TYNAN and Habstrakt before Jauz took the stage.
TYNAN is an upcoming electronic music artist and producer who I was very impressed by. I had listened to some of his music occasionally before seeing him live, and he put on such a good show. His sound stood out to me and I would describe it as dark trap/dubstep. He definitely has a weird style but it was very unique. It was cool hearing what he had to play for this show.
I liked TYNAN’s performance so much that I was a little disappointed with the Observatory North Park for not putting a spotlight on him. From the audience you couldn’t see him on stage because it was very dark. The screens behind him weren’t on, and there were only a couple lights that were active onstage. I’m not sure how they operate with opening artists but I would have enjoyed that a lot more.
After TYNAN, music artist Habstrakt began his performance. I was more familiar with Habstrakt and I listen to his music all the time. I was super stoked that I got to see him perform.
Habstrakt, also known as Adam Jouneau, is a French DJ and producer. He plays more bass house music, which is what Jauz is also known for. He has his own style of bass house and I really liked his performance. I knew most of the songs he played, such as his new recent release “Free,” his “GUD VIBRATIONS” remix, and “Infinite.”
The Observatory North Park also didn’t have a spotlight on Habstrakt but you could see him a lot better. The screens behind him were on and he had his own visuals projecting his stage name. I would definitely see him again and recommend everyone to as well.
When Jauz came onstage it was super cool. The fin and his entire stage production were amazing and I really liked how it was set up. When he opened his performance, the fin moved across the stage in a circle to reveal him and his DJ booth standing behind it.
Throughout the show, the setup of the fin and his DJ booth kept changing. At first, the fin was positioned behind him as he was on the ground with his booth. Then, his booth became elevated on a platform. He was positioned at the top corner behind the fin so everyone from the audience could see him. His stage setup continued to alternate throughout the show which made it very interesting. There were screens both on the fin as well as on the back of the stage.
Jauz played many of his popular songs and he swept through different sub-genres of electronic music. He played dubstep, trap, psytrance, mid-tempo, techno and of course bass house. It really showed how dedicated he is to the music he plays and he made sure to give everyone a variety of his music. He even played some songs that haven’t been released to the public.
Jauz closed his show with my favorite song- his remix of Trampoline, by SHAED. That was the main song I wanted to hear so I’m so happy that he ended with it.
I really loved going to this show and I would definitely see Jauz, TYNAN, and Habstrakt again. Jauz made sure to really hype up the audience, and everyone that attended was having a good time and enjoying his music. His production and overall show definitely made me appreciate it more and acknowledge what these artists go through to put on a good performance. I recommend that everyone see these music artists if they want to expand their knowledge of electronic music, or even just have a good time with friends at a concert!
In this week’s blog, I am going to focus on my favorite sub-genre of Electronic Dance Music: House Music.
Most of you know of house music from parties, clubs, or festivals. It has a catchy beat that you can’t help bobbing your head or moving your arms to. Others know how to shuffle to this music (I am still learning but I am impressed with everyone who can break out in shuffle).
House music originated in Chicago at a club called The Warehouse in 1977. Frankie Knuckles, who opened The Warehouse, mixed old disco classics and new Eurobeat pop together. Many of these music experiments took place there, and House became the first descendant of disco.
House music is funny to me because there’s usually a couple of words in the song followed by a beat to dance to. It is repetitive, but that’s what makes it fun. It is usually in a range of 115-130 bpm (beats per minute). I know whenever I hear house music in public places, I can’t help but dance to it.
My featured image for this post shows my favorite house DJ, Tchami, during his back to back set with ZHU. This happened this summer at Hard Summer Music Festival. I was in the crowd for this set and it was a huge moment. ZHU and Tchami had never shared the stage before so everyone got to hear their iconic sounds combined.
Tchami usually shares the stage with Malaa, who I saw at EDC Las Vegas last year. I first saw Tchami in 2017 at the Brooklyn Bowl in Las Vegas — I fell in love with house music and I hope to see him five thousand more times.
In this post, I’m going to highlight some of the different types of house music. I will name some artists associated with the each type and some song suggestions to listen to.
Some different types that I am familiar with are Deep House, Bass House, Big Room House, Tech House and Future House.
For some popular house music titles, most of you probably know of these artists and their songs:
This type of house music tends to have a lower bpm (around 120 bpm) and has greater influences from soul, jazz, and funk. I intertwine Deep House with Progressive House because they are both very similar. They are closely related to Trance music, as it has long accelerating peaks and troughs that progress throughout the track.
This form of house music combines techno styles with house. It has more techno sounding beats with the rhythm of house music. I don’t listen to much tech house but here are some examples I came up with.
Future house emerged in the United Kingdom around 2010. It fuses deep house, garage house and other elements of electronic music into it. Garage house is known to have pitch-shifted and time-shifted vocals.
These are just a small amount of the many types of House music. This shows how vast the electronic music genre is. I’m still constantly learning about each one and I love to hear the differences. I hope you enjoy it as much as I do!
With her “Beyond the Senses” EP released this summer, 24-year-old Canadian DJ and producer Isabelle Rezazadeh started her U.S. tour this September.
Also known as “Space Mom,” Rezz has her own defining sound in the world of EDM which makes her stand out from the rest. In my opinion, I would call her sound dark mid-tempo bass music or electro bass. It’s hard to place her in a proper genre because she is so unique. Many look up to her as an electronic music artist and producer, especially up-and-coming female DJ’s. Rezz began to DJ when she was only 16, and with the help of stars such as Skrillex and Deadmau5, she released her “Insurrection” EP in 2015 and signed to the Mau5trap label. After that she released her debut with her single “Serenity.”
Fans from all over bought tickets to Rezz’s Beyond The Senses Tour before the full EP was released. She started by releasing one single from the EP called “Dark Age” in May, which she played live a couple of days later at EDC Las Vegas. During this performance, she played another song from her EP that hadn’t been released yet. “Falling” featured Rezz along with the rock band Underoath who also made an appearance onstage, and the single was finally released on June 12. The next single of the EP, called “Kiss of Death” was released on July 12 and featured the artist Deathpact. The rest of the EP, which featured three other songs, was released on July 24.
I drove home to Las Vegas for the weekend to attend her show at the Thomas and Mack Center on Sept. 28. I bought my ticket during the pre-sale back in June, so I had been anticipating this moment for a long time. Rezz was one of the first artists I had listened to when I was discovering the unending variety of electronic music.
I got to the venue very early to find a good spot to stand in the GA section, and I ended up getting– front and center– on the rail. I had only been on the rail for a show on one separate occasion. It was for Snails in 2016 at the Life is Beautiful festival in Las Vegas. I had seen Rezz already twice in the past, and I was not close to the rail for any of them. I knew it was going to be awesome from up close.
It’s crazy seeing one of your favorite electronic music artists in action from up close. You get to see them press buttons and move switches to control what the audience hears and sometimes sees. You also get to see their funny dance moves.
But before I talk about how awesome Rezz was, she had two iconic DJ’s perform before her. First up was the artist BlackGummy. I wasn’t very familiar with his music, but I occasionally listen to one of his tracks called “Plucking Technology.” BlackGummy is the stage persona of Los Angeles producer Iman Marouf. He is also signed to the Mau5trap label, which happened in 2015 along with Rezz. I would say his music is more electro house and dark techno, with some trance. One song I really loved that he played live was called “Superhuman,” featuring vocalist Colleen D’agostino. This was released in 2017. His set definitely had a dark techno/house vibe, and I love house music. I want to see him again and what more he has to offer in a longer set. I really enjoyed his performance and production along with his gummy bear visuals behind him.
After BlackGummy, the artist known as Peekaboo came onstage for his set. I am more familiar with Peekaboo, and I absolutely love him. Known as Peekaboo, Matthew Lucas is an American producer. He mainly plays dubstep and freeform bass music. He got the crowd very pumped up for Rezz, and he played many songs that electronic music fans are familiar with. I seem to always hear his track “Babatunde” with artist G-Rex at festivals. He played “Motion” and “Maniac” which I was very excited to hear, and even threw in his “Lights Go Down” Zeds Dead and Jauz remix for us. Another well-known song of his that he played was called “Illusion,” which he helped on with the artist Bassnectar. I loved his set and his visuals, and I hope to see Peekaboo live again.
After Peekaboo finished his set, the backstage team started setting up the stage for Rezz to come on. They put an inclined DJ table up for her on a separate stand which I really liked because sometimes people in the crowd can’t even see the DJ from the back (short people like me). The lights for the stage were already set up, and I noticed right as I walked into the venue that it was very interesting. I watched a video before the tour about how the stage was made, and her team put a lot of work into it. After experimenting with virtual reality over summer, this is what Rezz is known for. Visual artists designed this tour from the ground up. They prepared a full rig, a full video wall, lasers, and her team wanted the art design to be much different than anyone had seen before to give us a new Rezz experience. They wanted to make it as unique as possible– and it was.
Needless to say, seeing Rezz from the rail was EPIC.
Right when she came onstage and her video wall lit up, I was in shock. BlackGummy and Peekaboo were using only a small part of her screen for their visuals and I hadn’t really realized how massive it was. I had never seen anything like it, and from the rail was crazy. She walked up the stairs onto her DJ stand and immediately played “Kiss of Death” from her Beyond The Senses EP.
Rezz made sure to play a span of songs from her history. She played tracks such as “Edge” from The Silence is Deafening EP, and “Purple Gusher” (my favorite), “Selector,” and “Melancholy” from Something Wrong Here EP. At the beginning, she played her hit “H E X” with artist 1788-L, and of course “Witching Hour” with the iconic visuals of her staring into a crystal ball. She also made sure to play “Teleportal” which I love to see live. She even played in her set “Creature” by Liquid Stranger and “Blacklist” by artists MeSo and SPADES, which I thought was totally awesome. Towards the end, she also played an unreleased track that she collaborated on with house artist Malaa, which I really liked and I am excited for it to be released. My appreciation for freeform bass and mid-tempo went up after attending this tour.
Rezz is known for her trippy visuals and LED goggles. Her visuals and production were insane, and I am so happy I got to experience her set from close-up. After more than half of the set though, I wanted to appreciate her full stage from farther back. Her set was awesome from any area in the venue and you could see her perfectly as she was elevated on her stand.
At the end of the show, Rezz said, “Okay guys I have one more song for you” four times. This made me so happy. I’m pretty sure that she played some unreleased tracks at the end because I did not recognize some of the songs. But I am happy that she enjoyed the crowd as much as we were enjoying everything she played.
This was the third time I saw Rezz, but it definitely won’t be the last time. She blew me away with this tour and I recommend anyone to go see one of her shows. It is interesting to see how diverse electronic music is, and her sound is definitely different than the rest. It might not be for everyone, but it was very cool to see the production and how her songs were reflected through visuals, lights, and lasers.
Rezz has many future dates for her Beyond The Senses Tour in big cities across the United States. She is also scheduled to play during many festivals at the end of this year. Check out her music here.
Written by: Alexandra Gex
Photos by: Alexandra Gex
KCR College Radio: The Sound of State
KCR is an internet based radio station run by students at the San Diego State University that provides music, sports, and talk programs to the SDSU community.
KCR can be listened directly via the RadioFX and TuneIn apps. TuneIn is available on home, car, and portable devices, and works with Alexa and Google Home.