Lemon Glow: Single Review

Beach House had a Valentine’s Day present for the world: a new single. “Lemon Glow” is the first single from Beach House’s upcoming seventh album, which they’ve said is “due later this spring,” on Instagram and Twitter. The Baltimore duo, made up of Victoria Legrand and Alex Scally, somewhat reinvent their sound with each new album, but “Lemon Glow” marks a big departure from the Beach House instrumental canon we’ve grown to know and love. Don’t get me wrong, this is not a bad thing. In fact, I’ve been listening to the song on repeat since it was released.

While Beach House kept their trademark drum machine and organ sounds the same, an acidic synth line makes “Lemon Glow” stand apart. The band also brings back a shoegaze-like heavily distorted guitar, which has been used in some songs like “Sparks,” “Beyond Love” and “Elegy to the Void” from their two most recent albums. The combination of the strobing synth and guitar make for a less hazy Beach House, but still provide the perfect canvas for Legrand’s dreamy vocals. She sings of a lover, with more intimate details than Beach House usually affords itself.

  “It’s what you do/This pulls me through/I come alive/You stay all night.”

Legrand also ties this lover to colorful imagery with the hook, “When you turn the lights down low/Lemon color, honey glow.” These references to color continue with the line “Candy colored misery/The color of your mind” just before the song comes to an abrupt end.



This foray into psychedelia is also explored with the “Lemon Glow” music video. Released on Valentine’s as well, the video mirrors the single’s US album artwork with pulsating patterns of black and white shapes. The waving checkerboard that’s reminiscent of “2001: A Space Odyssey’s” stargate sequence melds into a swirling kaleidoscope and back again throughout the video, ultimately producing a mind melting optical illusion that you can’t take your eyes off of.

Overall, Beach House’s combination of video and music provide a perfect backdrop to zone out to, but Legrand’s personal lyrics bring the audience back down to earth. “Lemon Glow” follows a logical progression from the shoegaze inspiration of the band’s two previous albums, but makes the jump to full psychedelic dream pop without worrying if anyone gets left behind.

Beach House’s sophomore album, “Devotion,” turns 10 this month and is getting a beautiful vinyl reissue through the subscription service Vinyl Me, Please, in March. The duo is currently touring Europe and will return to North America this summer, with a show at the Hollywood Bowl in September.

Photo by Phil King / CC BY


Wallows at The Observatory Orange County

On Feb. 3, Wallows performed at The Observatory Orange County  with Precious Kid and The Downer Party opening. As The Downer Party walked out for their set, I realized the audience was comprised mostly of people under twenty, a lot of them screaming tween girls. Despite this, the night turned out to be one of the most fun concerts I’ve ever been to.

The recently formed Downer Party was on first with a lively and Britpop inspired set, followed by the female fronted Precious Kid, who borrowed the Downer Party’s frontman to be their lead guitarist. Justine Dorsey, frontwoman, and Kassie White, bassist, were glitter clad as they rocked out with the unreleased “Jackie in a Fur Coat” before shedding their own jackets to cover the Psychedelic Furs’ “Love My Way” and play their own released songs, “Jaded” and “Dirty Disposition.”

The audience then got what it was waiting- and chanting- for. As the Wallows’ light up palm tree set was turned on, high pitched screams filled the room. When the members sauntered out in matching-but-not-matching floral shirts, the screams only intensified. I had never seen The Observatory Orange County so empty for a headliner, but the screams made up for the lack of crowd. The unexpected upside to less people was the extra room for dancing- which I made full use of! The Wallows followed an unreleased song that featured an extremely well-received trumpet solo with their extremely popular “Sun Tan.” As fans heard the first few notes, the yells echoed throughout the room, strengthening when co-frontmen Clay Jensen (of “13 Reasons Why” fame) and Braeden Lemasters smiled or glanced at the crowd. Both insisted that the group has new songs coming out “sometime soon” throughout the show.

They played a heartfelt cover of The Smiths’ “This Charming Man” before telling the crowd to stay safe out there and launching into their people pleasing song “Pleaser,” which ignited a raucous mosh pit and some crowd-surfing. Wallows left the stage after receiving a banana from a dedicated fan and returned after a chant of “ONE MORE SONG” shook the building.  Braeden played a solo, “1980s Horror Film,” while his fellow band members lounged on the stage before they all thanked the crowd for coming to the biggest show they’ve ever played. They finished the concert with a cover of “Blister In The Sun” that morphed into a “Boys Don’t Cry” cover with Precious Kid’s Dorsey returning to sing along. Then the song returned to the cover of “Blister In The Sun.” After asking fans to drive home safe, all band members blew kisses and threw guitar picks into the crowd as they left the stage.

Altogether the three bands have only released a handful of songs and didn’t manage to sell out the venue, but the Wallows’ strong fan base made the concert a memorable and enjoyable one. The complete lack of pretension in a crowd that didn’t care what they looked like was refreshing and will be hard to beat with any other band’s audience.