SDSU PULLS OFF DRAMATIC COMEBACK AGAINST WYOMING 26-22

San Diego State University improved to 5-1 after a stunning come from behind victory over the University of Wyoming 26-22 at SDCCU stadium.

Down three points late in the fourth quarter, SDSU quarterback Ryan Agnew avoided a sack and found tight end Daniel Bellinger for a touchdown that gave the Aztecs a 26-22 lead with just over two minutes remaining.

“Everyday at practice we go out and work as hard as we can,” Bellinger said, “When it comes down to that, we try to get open and that’s exactly what happened.”

The Aztecs defense stood tall and sealed the four point victory with an interception by cornerback Luq Barcoo. 

After a late hit out of bounds penalty was called on the Aztecs’ Dwyane Johnson Jr, the Cowboys took advantage of the mistake and scored a touchdown, which gave them a 22-19 lead after converting a two point conversion. 

“I didn’t agree with the call,” Rocky Long said, “I don’t think Dwyane did anything that would’ve caused a flag, but they threw it.”

Run plays and designed quarterback keepers nearly beat the Aztecs on Saturday night. Sean Chambers, the Cowboys quarterback had two rushing touchdowns and ran in a two-point conversion on 13 rushing attempts.

He had 14 passing attempts and only completed five of them, but threw for 94 yards, one touchdown and one interception. Wyoming tallied 39 rushing attempts and had three rushers combined for 157 yards.

“We missed two tackles that added up to over 100 yards rushing.” Long said, “So you miss tackles, you give up rushing yards. In the second half, we didn’t miss tackles.”

The Aztecs’ offense had a hard time scoring for the first half of the game, even trailing 14-3 at one point and continually settling for field goals. However, in the middle of the third quarter, the Aztecs seemed to establish their run game and rolled the dice twice on fourth down.

On a fourth-and-one, the Aztecs converted and set up a Juwaun Washington touchdown. Then, on a fourth-and-three late in the third, Agnew found Jesse Matthews for a first down, which set up a go-ahead touchdown run by Washington that gave the Aztecs a five-point lead.

“Anytime we have two teams with the same philosophy, you want to pound the rock and be physical.” Washington said, “It’s going to take some time to get going. We just have to keep doing what we’re doing.”

In the fourth quarter down by a score, the University of Wyoming had a chance to retake the lead, but the Cowboys fumbled the ball during a punt return and the Aztecs took over deep in Cowboys territory.

Kicker Matt Araiza had already made two field goals on Saturday, but missed a kick that would’ve pushed the lead to eight. His streak of seven straight made kicks was snapped, Arazia is now 9-for-12 on field goals this season.

The Aztecs will face San Jose State on the road next Saturday.

Written by: Daniel Farr
Photo by: Justin Neeley

Big K.R.I.T at the House of Blues

Another week, another concert to cover. This makes me a very happy person. On Thursday, October 3, 2019, I had the privilege of covering the hip-hop legend Big K.R.I.T (Justin Lewis Scott) at the House of Blues.

Trust me when I tell you that this dude has been in the rap game for a long time and is a walking legend. Starting his career more than 14 years ago, he has a list of accomplishments that are staggering.

As a prominent protestor of many of the racial issues that America faces today, he has become a symbol of motivation for movements like #BlackLivesMatter.

He has performed and spoken multiple times at the BET Hip Hop Awards, and even received three nominations for “Rookie of the Year” and “Best Mixtape” in 2011, where his career really started to pop off. 

Big K.R.I.T has elements in his music that show roots to some of the more classic elements of hip-hop, such as deep soulful beats and tongue-twisting lyricism. Collaborating with big artists such as J.Cole and Lil Wayne attests to his impact and respect within the hip-hop scene.

With all of this said, I was super excited to see this man live and get some fire pictures of him! Unfortunately, I was running a little late to the show at House of Blues San Diego. I arrived at about 9 p.m (the time when the headliner usually hits the stage) and picked up my media pass. 

Literally, at the exact second I walked into the main room, Big K.R.I.T. walked on stage to start his performance. Photographers are only allowed to take pictures in the photo pit for the first three songs of the performance, so I hustled my way to the front immediately. The timing could not be more perfect, because if I was even ten minutes later, I would have missed my opportunity to cover the show.

As soon as Big K.R.I.T took the stage, you could tell he had been doing this for a long time. His energy was through the roof. I looked back at the crowd to see all of the audience in the front row singing every single word. He clearly had a bunch of loyal fans. 

He continued the next three songs that I saw with that same energy, moving and bouncing around the stage, rapping his lyrics with a passion that is rare to see. 

After three songs, security booted me out, and that is all that I saw. Being able to see a legend like Big K.R.I.T up close was really great, and I am happy with the photos that I got. 

Big K.R.I.T will continue his “From the South with Love” tour until his last show on November 16th, in his hometown of Atlanta, GA. Check out his music here.

Written by: Justin Neeley
Photos by: Justin Neeley

Tobi Lou at the House of Blues

Up-and-coming artist Tobi Lou delivered a memorable performance that seamlessly merged rap and melodic pop into one lighthearted and fun show on Saturday, September 28.

I arrived at the House of Blues, the hottest venue in all of San Diego, about two hours before Tobi Lou got on stage. A little too early if I must say, as I sat around for an hour before the employees let me in to the event. The show was held on the smaller stage called “The Voodoo Room” which I had never been to before.

The show began with the artist named Lil Trxptendo who brought a lot of good energy into the early hours of the performance. At the young age of 17, Lil Trxptendo has brought his music into the limelight, a feat that he was very proud to discuss in between songs. At one point, he even invited four audience members on stage where they all danced together and had a “woah” off. For those of you unfamiliar, a “woah” is a popular yet easy dance move that has come into the limelight during 2019.

The next artist to hit the stage was Femdot, a rapper out of Chicago. With the recent release of his project 94 Camry Music, the energy was off the charts. His live performance consisted of a mix of hype songs that had the crowd jumping and smooth, introspective tracks about his struggles. 

As I waited for Tobi Lou to come on stage, I stood outside the venue to get a little bit of a break. Sitting there going through my photos so far, I turned to see Tobi Lou, with his easily recognizable four puffs of blonde hair, himself just hanging out with his squad getting ready for his performance. He was approximately 5 feet away for a solid 20 minutes, and I wanted to say “what’s goooood bro can I get a pic” so bad but felt like that would be annoying right before his performance. Maybe I was just too deep in my own head.

Anyways, Tobi started his performance with one of my personal favorite songs “I Was Sad Last Night I’m Ok Now” and it was nothing short of great. The audience had been waiting a long time and knew all the lyrics to every song. He emits a bubbly, lighthearted, yet confident stage energy that was rare to see from an artist that is still considered “on the come up”.

I hadn’t heard of Tobi before going to the concert, but I actually consider myself a fan now. His style of music is right up my alley, and many of his songs have since been added to my go-to playlist. His “Happy + Extra Sad” nation-wide tour will be continuing until 10/20, where his final show will take place in his hometown of Chicago. If you like upbeat, modern rap music with a taste of bubbly pop, check out Tobi Lou here.

Written by: Justin Neeley
Photos by: Justin Neeley