Charlotte Lawrence and Goody Grace at the House of Blues

Charlotte Lawrence and Goody Grace put on an electrifying show that had the crowd moving all night long at the House of Blues on November 21, 2019.

Before the show, KCR got to have a friendsgiving with both artists in our production studio. In this intimate setting, we all enjoyed a fully vegan Thanksgiving, screen printing reusable tote bags, and more! We also got to sit down and talk to Charlotte and Goody about their music, new songs, and their tour. They each performed an acoustic song, which you can watch both the interview and acoustic songs here

Goody Grace

I had never seen Goody Grace or Charlotte Lawrence live before, and this show absolutely blew me away. Goody Grace opened up the show, playing songs such as “Scumbag,” “Two Shots,” “Rest Your Eyes,” and more. There were some die hard fans in the crowd, singing along to every word and dancing their hearts out. For the people who had never heard of him before, they were still moving and dancing along to the songs.

After learning about the influences behind Goody Grace’s music earlier in the day, it really translated to his music. His music is a mix of all of the music he likes and listens to. You heard emo, pop punk, r&b, and rap influences in his music. They all merged together to create this very unique sound that is 100% Goody Grace. Since this show, I have had Goody Grace’s music on repeat, and you should too.

Charlotte Lawrence

Charlotte Lawrence headlined the show. She played a total of 14 songs: “Why Do You Love Me,” “Just The Same, Keep Me Up,” “I Bet,” “Stole Your Car,” “Young and Reckless,” “Everybody Loves You,” “You,” “Sin X Secret,” “Psychopath,” “Cowboys,” “Navy Blue,” “God Must Be Doing Cocaine,” and “Sleep Talking.”

The crowd was totally and fully engaged with her performance; Charlotte had so much energy on the stage, and was interacting with the crowd at all times. At one point during the show, she claimed that she is too tall to dance but her dance moves went perfectly with her music. This encouraged everyone in the audience to dance along too; not a single person in that crowd stood still.

I wish I had the proper words to describe how utterly gorgeous Charlotte’s voice is. It has the perfect mix of raw emotion and effortless talent. She hits these high notes and goes on these runs that are so beautiful, it genuinely does not sound real.

My favorite song of her performance was Stole Your Car, which has been on repeat since this show. This song in particular had everyone jumping in the air, and dancing. The vocals in this song are insane, and she executed them flawlessly.

Charlotte also performed her newest song, “God Must Be Doing Cocaine.” It calls attention to all the messed up things going on in our world today. It was a super stripped back and emotional performance, which the crowd stayed silent throughout the entire thing. The show was one you should not have missed!

You can listen to Goody Grace ft. Blink 182, “Scumbag,” here.

You can also listen to Charlotte Lawrence’s newest song, “God Must Be Doing Cocaine,” here.

Written By: McCaeley O’Rourke
Photos By: McCaeley O’Rourke

Clairo at House of Blues San Diego

Clairo played a sold-out show at the House of Blues San Diego on October 18th and certainly did not leave her fans disappointed.

The 21-year-old lo-fi bedroom pop singer, Claire Cottrill, has recently blown up after the release of her debut full-length album, Immunity, gaining positive feedback from fans and critics alike. It was only about two years ago since Clairo released “Pretty Girl” on YouTube and took the world by storm. 

Being a huge Clairo fan myself, I was excited to see what type of crowd she would attract to her sold-old show. I have only seen Clairo perform once and it was at Coachella 2019, where the crowd was small and her set was short. While it was clear that the show was all ages, there was a large representation from Clairo’s young fanbase. At first, I was surprised to see so many young teens in baggy pants and oversized graphic-tees, but I realized they matched Clairo’s aesthetic almost perfectly. Regardless of age, the crowd had high energy that radiated throughout the venue. There were smiles all around, and I could tell that everyone in the room wholeheartedly loves Clairo and that they were ready for a memorable night.

First to take the stage was Oakland-based band, Hello Yello. This punk-alternative-rock band came on stage with high energy and even got the crowd moshing at some points. The band recently released their first EP, Love Wins, and played a few tracks before getting the audience ready for what’s to come.

The next opener was Beabadoobee, staring Filipino-British indie singer Bea Kristi. It was no surprise that she is touring with Clairo because they both have a soft 90’s-alternative sound in their music. The crowd roared as Bea took the stage with her two bandmates, playing hits like “Dance with Me,” “If You Want To,” and “She Plays Bass.” Since the band produces soft and somewhat-emo music, their stage presence relayed accurately as they kept a calm demeanor throughout their set.

Clairo, House of Blues San Diego 10/18/19
Photo by: Brittany Roache

Finally, it was Clairo’s turn to take the stage and you could literally feel the energy of the crowd buzzing from wall to wall. When she finally graced us with her presence on stage, the venue shook and the screams seemed to never end. My heart was racing as I stood in the photo-pit, staring directly at one of my favorite female artists of all time.

This is the first (unedited) picture I took of Clario at the House of Blues San Diego. I find this picture special because it captures the raw essence of her beauty and the angelic glow that she constantly resonates.

Opening with her lead song “Alewife” off her debut-album, Clairo draws the crowd in and keeps their attention focused on the music. Some artists like to open their show with a bang, but Clairo needed to start off the night with something emotional and real – and it was perfect.

Throughout the show, Clairo kept the crowd engaged, frequently taking a knee to get face-to-face with her fans in the front. Playing a mix of songs both old and new, it seemed as if the crowd knew the words to everyone. If her fans weren’t dancing, they were in a trance hearing the melodic tones of the young singer’s voice.

Halfway through the show, Clairo paused and did something that left me speechless. Since Cottrill’s rise-to-fame started on the internet, it is only fitting that she made a joke that recently went viral on Twitter. On the count of three, she made the entire crowd sing Kylie Jenner‘s “Rise and Shine” meme. Even if you were unfamiliar with the meme, it left everyone laughing after hearing the audience sing the words “Rise and Shine” in a high-pitch tone.

This interaction was only the beginning of how Clairo chose to engage with the crowd that night. After singing hits like “Flaming Hot Cheeto’s,” “Bags,” and “Sofia,” she asked her band to leave as she brought out a stool and guitar to switch up the mood. Clairo told the crowd that she has only recently started doing this, but she wanted to end her shows by playing an unreleased song that she wrote on tour in Brooklyn. The song was charming and vulnerable, with lyrics stating “if timing was everything, I’d make some more time.”

As she began to close the concert out with the final song off her album “I Wouldn’t Ask You,” the crowd sang peacefully in unison, getting ready to say goodbye to the beloved singer.

After saying goodbye, it only took about a minute of cheering from her fans until Clairo and her band came back on stage for a three-song encore. She started with her hit “4EVER,” which effortlessly got the crowd dancing.

Before singing her biggest hit “Pretty Girl,” Clairo decided to do something different. She asked the crowd if she could bring a few audience members on stage to host a dance party with her, and it didn’t take long for everyone’s eager hands to shoot up in the air. It was a really special moment to watch as Clairo brought five fans on stage, greeted them with a big hug, and danced their hearts out on stage together.

Clairo and fans on stage during “Pretty Girl” – House of Blues San Diego

Clairo officially ended the concert with her song with Mura Masa, “I Don’t Think I Can Do This Again,” and allowed fans to get one final dance in before ending the night. This may have been Clairo’s second time headlining a show in San Diego, but it definitely won’t be her last.

Written by: Brittany Roache
Photos by: Brittany Roache


Dodie at the House of Blues

On October 9, 2019, English singer-songwriter Dodie brought her fairy-like presence to the House of Blues for her “Human” tour.

Better known to some as “doddleoddle,” Dodie began on YouTube posting original songs and covers, mainly with her ukulele, or her “extra limb.” I have been watching her since about 2012 or 2013, and she has been one of my main and longest inspirations when it comes to music and songwriting. It has truly been an honor to be able to watch her grow and grow alongside her, and finally, see her perform in concert.

Dodie started out her set upstage with beautifully hopeful “Arms Unfolding” going into “Monster” as she finally ran to the front. I wish I could describe the happiness that the fans at the barricade radiated as Dodie came closer. I could feel that this moment was important for them, too, which made the show even more enjoyable.

Dodie has a certain aura to her that beckons you to pay attention, while still staying soft and effervescent.

“Sick of Losing Soulmates” and “She” are some of her slower songs, and I think they pack the most punch. In these two she tells very personal stories through her lyrics, wrapped up in melodic guitar plucking, that leave you in somewhat of a trance. Especially if you can relate to them, these songs will most certainly strike a chord in you, while maintaining a sense of airy beauty while you listen. They can serve as sometimes painful reminders that we are indeed “human” and have to deal with losing people in different ways, and possible struggles with sexuality; but just like “She” says, it can feel “oddly good to hurt.” Having Dodie performing them herself in front of me added another level of ‘personal’ that I never thought could be unlocked; because of that, I’d say these two songs were my highlight of the night.

Another highlight was the lighting.

I’m always one to appreciate more than just the performance itself, and Dodie’s show definitely did not disappoint. I loved the string lights that decorated the stage, the neon “dodie” sign in the back, the rainbow lighting, and how the spotlights changed to focus on which musician had a special part (cello, violin, etc.). That being said, every member of her live band was amazing as well and each felt important, especially when they came to the front for their solos. Dodie was accompanied by guitarist (and another one of my favorite singer-songwriters) Orla Gartland, bassist Pete Daynes, drummer Ross Craib, cellist Sophie English, and violinist Will Harvey.

Listen to Dodie here.

Written by: Emerson Redding
Photos by: Emerson Redding



Big K.R.I.T at the House of Blues

Another week, another concert to cover. This makes me a very happy person. On Thursday, October 3, 2019, I had the privilege of covering the hip-hop legend Big K.R.I.T (Justin Lewis Scott) at the House of Blues.

Trust me when I tell you that this dude has been in the rap game for a long time and is a walking legend. Starting his career more than 14 years ago, he has a list of accomplishments that are staggering.

As a prominent protestor of many of the racial issues that America faces today, he has become a symbol of motivation for movements like #BlackLivesMatter.

He has performed and spoken multiple times at the BET Hip Hop Awards, and even received three nominations for “Rookie of the Year” and “Best Mixtape” in 2011, where his career really started to pop off. 

Big K.R.I.T has elements in his music that show roots to some of the more classic elements of hip-hop, such as deep soulful beats and tongue-twisting lyricism. Collaborating with big artists such as J.Cole and Lil Wayne attests to his impact and respect within the hip-hop scene.

With all of this said, I was super excited to see this man live and get some fire pictures of him! Unfortunately, I was running a little late to the show at House of Blues San Diego. I arrived at about 9 p.m (the time when the headliner usually hits the stage) and picked up my media pass. 

Literally, at the exact second I walked into the main room, Big K.R.I.T. walked on stage to start his performance. Photographers are only allowed to take pictures in the photo pit for the first three songs of the performance, so I hustled my way to the front immediately. The timing could not be more perfect, because if I was even ten minutes later, I would have missed my opportunity to cover the show.

As soon as Big K.R.I.T took the stage, you could tell he had been doing this for a long time. His energy was through the roof. I looked back at the crowd to see all of the audience in the front row singing every single word. He clearly had a bunch of loyal fans. 

He continued the next three songs that I saw with that same energy, moving and bouncing around the stage, rapping his lyrics with a passion that is rare to see. 

After three songs, security booted me out, and that is all that I saw. Being able to see a legend like Big K.R.I.T up close was really great, and I am happy with the photos that I got. 

Big K.R.I.T will continue his “From the South with Love” tour until his last show on November 16th, in his hometown of Atlanta, GA. Check out his music here.

Written by: Justin Neeley
Photos by: Justin Neeley