Game of Thrones Live at Viejas Arena

Game of Thrones Live at the Viejas Arena was a phenomenal experience which allowed fans to relive all the highlights from the series.

If you don’t watch Game of Thrones… you are definitely missing out! After the concert, my excitement for season 8 has reached unprecedented heights. For those unfamiliar, German composer Ramin Djawadi is the mind behind all the beautiful, heartbreaking, and intense scores we hear during the show that always leaves us wanting more.

In addition to his work on Game of Thrones, Djawadi attended Berklee College of Music, worked with Hans Zimmer. and even won an Emmy for his work on the Season 7 Finale “The Dragon and the Wolf.” His contributions to Game of Thrones are embedded within the show’s DNA; Just as the characters and houses have evolved over time, so too has his themes. For example, Daenerys Targaryen’s theme started small, but became progressively more powerful after each season. Daenerys has proven herself to be a “Khaleesi” to many, so it’s only fitting her song grew with her. Her theme was initially built with only a cello, and has progressed into the powerful and strong song that it is now. During the concert, as Daenerys became stronger, she would say ‘dracarys’ and the stage would glow in flames.

Djawadi conducted an 80-piece orchestra along with a local choir. The set up included a screen that projected the show and multiple stages that separated parts of the world in the series. There was a stage dedicated to King’s Landing and one to Winterfell, with the Iron Throne directly in the middle.

Several soloists surrounded the stage, each dedicating their mastery to a specific song. Violin soloist Molly Rogers performed the House Stark theme while ascending into the air with a huge dress on, as rose petals fell from the sky! Some instruments were even specially crafted for the tour, including a 14-ft Wildling horn, which was used during a scene on the attack of the Wall. A lovely soloist brought fans to heaven (and tears) when they heard “The Rains of Castamere.” With scenes as heartwarming as Ygritte and Jon Snow’s cave scene, to the bloody and heart wrenching The Red Wedding, you are thrown headfirst into the very best moments of Game of Thrones. As “The Light of the Seven” was playing, the whole audience held their breath knowing the Wildfire was about to be lit. I intensely cried during a specific scene of Hodor’s (if you know, you know) as my fellow KCR member Peter Swan comforted me.

During the show, Djawadi even admitted that he had to write the music for season 7 before the writing for the show was even released. He also acknowledged that putting together the Game of Thrones Live Tour took over 3 years. This means they were continuously adding the music as the show was being released!

I am extremely lucky to have had this opportunity to see Ramin Djawadi in action and the unique experience of how the series was brought to life. If you ever have the opportunity to see or hear Djawadi’s work, whether from Game of Thrones, or any of his other work, I strongly recommend it.


Andrew VanWyngarden and Ben Goldwasser, better known as the synth-pop/psychedelic rock band MGMT, are making their well-deserved comeback. They are best known for their songs “Kids,” “Time to Pretend” and “Electric Feel,” which all still play on top hit radio stations. After releasing their debut album “Oracular Spectacular” in 2007, the band hit the top of the charts.

Little do people know, MGMT was actually formed as a joke. Andrew and Ben weren’t even trying to form a band. If anything, they never meant for their band to become big. They originally wrote their music during jam sessions they had as freshman in their free time, while they studied at their small town university in Connecticut. Artists such as Katy Perry and Frank Ocean began to sample MGMT, and the band even did a few collaborations with artists such as Kid Cudi and Beck. Their original joke was taken seriously, as was the infamous line “I want to parachute some heroin and f**k with the stars,” from “Time to Pretend.” Then, Andrew and Ben changed things up.

With their second album, “Congratulations,” MGMT moved toward a punk rock vibe, like the British artists of the late ’60s to early ’80s. With their self-titled record from 2013, the band hit the brakes, slowed itself down and moved back toward those funky but melancholic synth songs. The band has always featured lots of piano, but with their singles from 2013, they moved toward a Grateful Dead vibe with more guitar and just pure jamming out. Now, they are rediscovering their roots with a new freakishly unique twist. Their single “When You Die” is a perfect example of this, with angry singing, happy tones and solemn lyrics. “Hand It Over,” their single released in January, captures MGMT’s usual underground spooky feelings, featuring a gorgeous melancholy sigh of not trying hard but trying just enough. One of their singles, “Little Dark Age,” brings that spooky vibe back, and their new album will be titled that as well.

With their newest single, “Me and Michael,” released Feb. 7, the band transitions back to those ’80s vibes we know and love. The video for the song follows the band as they rise to success in an absurd universe with euphoric and hallucinogenic tones. It’s quite psychedelic, and I would recommend it to anyone trying to understand MGMT’s inherent satire. According to their interview with Rolling Stone Magazine, “Little Dark Age” was shaped by MGMT’s break up, and how Andrew and Ben tried to stay in contact after. Their relationship was distant but they later decided to meet up and express their surprise and dismay at Donald Trump being elected President. They used their feelings toward him as inspiration to write pop music, to try and get rid of the “evil that took over the world.” MGMT’s new album, “Little Dark Age,” was released on Feb. 9. I suggest that anyone looking for cool, refreshing, pop-synth music that might make you feel better about yourself, (according to the band) listen to the album.

MGMT will also be going back on tour in support of the album, and will be coming to San Diego on May 19, 2018, at the San Diego Civic Theatre.