Kodaline at the House of Blues

Kodaline gave their audience a taste of the weekend with their thrilling and riveting performance at the House of Blues.

 

The concert was opened by Ocean Park Standoff, a band consisting of Samantha Ronson, Pete Nappi, and Ethan Thompson. The group was energetic throughout their entire set, especially Thompson, who couldn’t help but jump around the stage. It was hard not sing along, especially as the singer about to dive right into the audience. Plus, the band members chemistry was impeccable, as the three cracked jokes throughout their set. They got right along, offering words of advice before continuing onto their next song, “Good News:” “If you had any bad news this week, fuck ‘em.” With their youthful spirit, Ocean Park Standoff encouraged us to let go and enjoy. It just made everyone excited for the rest of the night.

Kodaline’s entrance was silent, but their entrance caused the crowd to go wild. They started with “Follow Your Fire”, a song from their newest album “Politics of Living”.  Known originally as 21 Demands, the group started in Dublin, Ireland with Steve Carrigan (vocals, guitar) and Mark Prendergast (guitar) as founding members of the group. The name later changed to Kodaline with the addition of Jason Boland (bass guitar) and Vinny May Jr. (drums).

 

With the moody lights and simple stage set, Kodaline focused on what was important: their music. Seemingly in his own world, main singer Steve Garrigan had his eyes closed for a majority of the songs. Though it was a contrast from Ocean Park Standoff’s interactive stage presence, Kodaline’s style of performance was just as captivating.

Listening to their music in such an environment made their vocals sound even more raw. I had always loved their music, listening on my phone or through Youtube, but to hear it in person, was an experience. Being apart of the audience felt like a dream, with everyone swaying in a trance to a deep pulse. If I had another chance to go listen and see Kodaline, I would not need a lot of convincing. Not only is their music amazing, their performance and stage presence must be seen in person. Kodaline has come a long way since their humble beginnings as a two-man band, and their fans and other music enthusiasts should look forward to their future projects indefinitely.

Review by: Veronica Yoo

Rex Orange County at the Observatory North Park

Rex Orange County brought his signature timeless energy and love to the Observatory North Park.

As I approached the Observatory North Park to see Rex Orange County on November 13, my mouth dropped once I saw how long the line was to enter the venue.  It was fascinating to me to see so many people that were all here for the same artist and who have been touched by his music in some way.

Everyone in the crowd carried positive energy and were talking about what they were most excited for during the show.  I was lucky enough to see Rex during the summer at Mo Pop Music Festival in Detroit, so I felt as if I was familiar with his show and set before it had even started.  However, during his show in San Diego I felt a whole new aroma and experience.

Once the lights went off and the cheering started, an audio recording from a vintage film began to play.  Rex walked out on stage and colorful rainbow lights flashed on, also revealing a backdrop with a picture of a peach.  The opening song was nonetheless “Apricot Princess,” which is on my favorite album of his called, “Apricot Princess” as well.

During the middle of the show, Rex decided to switch moods with the audience and play “No One” by the one and only, Alicia Keys.  I could not believe how amazing this cover was, especially because he made it sound like his very own version of the song. He played his acoustic guitar throughout the show, including during this song, which gave it a unique twist.

After Rex left the stage to prepare for the encore, the crowd cheered “Rex” as loud as they could, waiting for him to make another appearance.  When he came back on stage and the encore had started, Rex told everyone to shout the words to “Loving is Easy” and jump as high as they could throughout the chorus.  

The energy during the entire show was through the roof and everyone in the audience left the venue out of breath.  The show was an hour and a half, but felt as if I was there for barely an hour. I felt connected with the people around me because we were all bonding over the same music together.

 

Check out Rex’s website for more on the artist.

Review by: Kylie Buckfire

Treasure Island Music Festival Highlights

A celebration of music, art, and Bay Area culture – the best way to describe Treasure Island Music Festival.

Located in Oakland, CA, Treasure Island Music Festival (TIMF) recently hosted their 11th annual music and arts festival with over 23,500 total attendees across two days. As an avid festival-goer myself, I will admit that my expectations were high for my first time attending TIMF. In the years past, the festival was located on Treasure Island itself. This year, TIMF decided to give the crowd an even better experience by moving the festival to Middle Harbor Shoreline Park. Not only did the new location provide an eccentric beach vibe in mid-October weather, but you also had an unbelievable view of the San Francisco skyline no matter where you were. Produced by both Noise Pop and Another Planet Entertainment, TIMF has grown to become one of the West-Coast’s most favored music festivals for many reasons.

DAY ONE: Hip-hop, House, & High-energies. 

One thing that sets TIMF apart from other festivals is how they skillfully incorporate different genres each day to appeal to several different crowds. With only two stages and no overlapping sets, there is never a need to worry about missing your favorite artists, giving the overall festival a stress-free vibe. Kicking off the weekend on a high note, day one of TIMF was filled with hip-hop, house, and high-energy performers. If you want constant dancing, loud bass, and bold, colorful outfits, day one is for you. Headlining the first day was critically acclaimed rapper and songwriter, A$AP Rocky, who closed out his U.S. tour with TIMF as his final show. Other headliners for day one included the second-ever festival performance of Silk City, the new experimental duo between Diplo and Mark Ronson; electronic/new wave singer and songwriter, Santigold; and many other famous artists such as Pusha T, Aminé, Laff Trax featuring Toro y Moi and Nosaj Thing, Polo & Pan, and more.

The legend himself

DAY TWO: Rock & Relax.

If you’re into indie rock and are looking for a more laid-back vibe, day two is for you. The difference in apparel on the second day was apparent, with most attendees in vintage attire and oversized jean jackets. Closing out the festival was the incredible psychedelic rock band Tame Impala, who is prepping for the release of their highly anticipated, soon-to-be-revealed album. Other headliners included Lord Huron, who recently released their third album, Vide Noir; Jungle, a 7-person live band from the UK; folk-rock sensation Courtney Barnett; and POND, Cigarettes After Sex, US Girls, and more.

Art & Interaction

With the advantage of TIMF featuring non-overlapping sets, there are plenty of opportunities to take a break from the stages and check out all the art and interactive tents around the festival grounds. I admire how important art is to TIFM, because most festivals do not offer the opportunity to find your creative outlet amidst the busy crowds and performances. On day one, Molly and I arrived at the festival shortly after the gates opened and were both instantly impressed by how much there was to do. I was blown away by the number of free items that were offered to everyone, from custom sunglasses, to foldable hand fans, to endless Odwalla smoothies and Cliff bars.

There were three major art installations at TIMF, one of which you notice directly after walking through the gates: the 1800-lb manta ray sculpture, named “Fly By” by Peter Hazel and Colin O’Bryan, was influenced by the Spanish architect Antoni Gaudi. This may be the most memorable piece for most attendees due to its prime location overlooking the Bay Bridge and San Francisco skyline. Formerly displayed at Burning Man 2015, Mechatheusisby Barry Crawford presented a giant mechanical squid with moveable tentacles. My personal favorite, the “Cosmic Voyager” by Chromaforms, featured a laser-cut stainless steel sea turtle sculpture where you can observe a futuristic city from beneath its body and even receive a horoscope reading based on the date and time. The festival also featured the “Balloon Chain” by Robert Bose, similar to the ones presented at Coachella, giving the crowd a colorful and heart-warming feeling no matter where you looked.

Good plants

One of my absolute favorite parts of the festival was WorkshopSF’s Camp DIY, where everyone is encouraged to express themselves through several different crafts offered. Whether you’re interested in crafting, sewing, tie-dyeing, or florals, there is something fun for everyone to experience. First, Molly and I checked out the funky temporary tattoo table, where we got to browse through hundreds of free tattoos and shared stories with strangers about why we chose the one we did. Molly got the chance to make her own flower crown while I stamped up some fabric and made myself a patch. This area also featured a unique, remodeled trailer filled with plants that guests are encouraged to walk through, along with a display of one-of-a-kind painted jean jackets by local artists.

The Highlight: Tame Impala.

Without a doubt in my mind, Tame Impala’s long-awaited performance was the highlight of the weekend (and probably my life). Seeing Tame Impala live is not like going to any other show; it is truly a spiritual experience. After waiting over 4 years to hear them live, my expectations were through the roof. With that being said, I was completely mind boggled after their 90-minute-long performance. The psychedelic rock band was scheduled to play at Desert Daze just two days before and unfortunately had their set cut an hour short due to a hazardous electrical storm, so it was clear that they were ready to bounce back and perform their hearts out for the Bay Area. To top it off, they performed their song “Jeremy’s Storm” for the first time in five years for a one-off jam. They even admitted to hardly practicing beforehand, so it was a special experience seeing them improvise live on stage. I have seen hundreds of musicians throughout my life, but nothing will compare to the talent Tame Impala puts out on stage. They are one of those extraordinary bands that sound even better live and I feel so lucky to have witnessed such an exceptional performance.

(Blurry) Tame Impala

Final Thoughts.

Overall, I was blown away by Treasure Island Music Festival and the experience they gave their attendees. It’s no wonder it has become one of the West Coast’s most beloved music festivals – I highly encourage everyone to check it out next October! A good majority of the crowd was 21+, which resulted in a more mature and laid back audience. If you’re legal and looking to enjoy good drinks with good music, this is the perfect festival for you. No matter your age, however, there is always something to do at TIMF. From the all-remarkable performances to the unique art and interactive vendors, this festival stands out above many others. Counting down the days ‘til next October when I get to do it all over again!

Representing KCR!

Review by: Brittany Roache

The Paper Kites at the House of Blues San Diego

The Australia-based band, The Paper Kites, brought their sense of magic to the House of Blues San Diego.

With their rock-folk and woodsy forest vibes, the members tend to use their harmonies and magical lyrics to create a mood that you are immersed in the song, feeling everything the words were intended to have — even if you have never heard the song before! Sam Bentley (vocals, guitars and keyboards), Christina Lacy (vocals, guitars and keyboards), David Powys (vocals, guitars, banjo and lap steel guitar), Josh Bentley (drums and percussion) and Sam Rasmussen (bass and synthesizers) make up The Paper Kites and the beautiful music they make.

The Paper Kites are known for their melancholic tones that offer you a sense of sadness mixed with hope. They opened with the song “Red Light” off of their new album On The Corner Where You LiveThanks to artist Megan Dougherty, the stage was set up to look like you were sitting in an apartment with the band. Artist Mike Castle came up with the lighting design of lights seeping through the blinds that Megan had carefully structured. They also added the featured colors for each song, like the dark blue for ‘Deep Burn Blue’ and the mysterious red for “Red Light.”

‘Deep Burn Blue’ followed ‘Red Light’ funnily enough. This song is about the feelings inside you and your own thoughts that make you not want to leave your own room. It’s as if you are afraid of what the world has to offer. Lead singer Sam put it himself that “music is so much more purposeful and devastating when it makes you feel exposed.” “Revelator Eyes” from twelvefour followed this. It is a song where the person is still trying to hold on to their relationship even though they can notice that their partner is not feeling the love anymore. The theme of the show at this point was following a relationship, which I’m sure many people in the audience could relate to.

The song “On The Corner Where You Live” is about saying goodbye even when that isn’t what you want to do. They continued this feeling of hurt with the song ‘When It Hurts You’, a powerful rock ballad about not wanting to hurt your loved one because you will feel the pain too. I closed my eyes during this and the one following it, ‘Bloom’, which made the room feel like we were all one. It is the song of hope, and the band played it slowly instead of at the fast pace that we are all used to. It was a perfect triage of songs to follow the relationship we were all pretending we knew.

‘Bloom’ was the first song I ever heard by The Paper Kites so I really felt in that moment how far the band has come and who they have developed to be. It is still so surreal to me that the track ‘Bloom’, their most popular song, was made as a bonus track release with the first EP they made. They had no idea it would be so successful. The Paper Kites emphasize continuously in their music that sometimes you have to let go (‘On The Corner Where You Live’), and although it hurts (‘When It Hurts You’), something good can come out of everything (‘Bloom’).

The Paper Kites included an intermission song, which was the track for  ‘A Gathering On 57th’. It gave the audience chills and a familiar feeling of nostalgia. I have always felt with that song that I am on a train visiting family or on my way to see someone I love.

‘Give Me Your Fire, Give Me Your Rain’ began after the interlude, and the crowd was back to its’ original excitement and swaying. ‘On The Train Ride Home’, the song from its’ self titled album is a personal favorite. It has a great deep meaning behind the simpleness of it. “If I can’t get the things I want, then give me what I need.” With a feeling of loss under the lyrics. This song may be about the chapter of our lives where we cannot find our true direction, where most of us are not able to handle the pressure to ourselves as we go to face the reality and so we try to go back to our home where we were once settled and happy. The train is a metaphor for our means to go back and within it we try to ask for help.

Some highlights to this show include their performances of “Electric Indigo,” and “Don’t Keep Driving” which they ended with. In the end, the audience was filled with a yearning and a desire to stay in that room forever.

I would definitely see The Paper Kites again if I had the chance. Their songs are so deeply personal, and I would recommend listening to their music if you are going through anything. I’m excited to see what is coming next with this band and where they will take us on their journey.
Review by: Molly Atkins