Concert Review: Tai Verdes at the House of Blues

Photo Credits: Katerina Portela

What better way to spend 4/20 than with the positive energy of Tai Verdes? His San Diego show took place at the House of Blues on April 20th, 2022 for his first-ever “HDTV” tour following the release of the debut album “TV.” To say that it was a lively crowd would be an understatement. Something about his music inspires bright colors, which was clearly present in the style among his mostly young fans. The opener was an 18-year-old from Toronto who went by “renforshort,” cooing her music in an airy voice that echoed the likes of Phoebe Bridgers. She was chatty and kept the crowd alive with quips between songs. A memorable one was before her song titled “Moshpit,” which she described as “being about a bad relationship and not at all about a real moshpit because I have crippling social anxiety and wouldn’t last a second in one.” The smooth, indie-pop sound of renforshort coupled with her relatable sense of humor perfectly set the stage for the main act everyone was waiting for, Tai Verdes. 

Before the show, I did some research on Verdes and found his unique story of starting out as an unknown phone salesman dreaming of a career in music, releasing a song on Tiktok that went viral, and getting a jumpstart on his career from competing in (and winning) an MTV dating show. Through all of this, the main thing I learned about Verdes is that he never stops trying, a mantra he said himself at one point between songs— “One thing I’ma tell you guys,” he shouted. “Is never f**king give up!” This relentless spirit was apparent tonight in his performance. 

Tai Verdes stepped on stage a little after 8:00 with a dramatic pause and immediately launched into “Happy Til it Hurts,” a track from his album “TV.” The lyrics described his experience starting at a low point and working his way up with big aspirations. This seemed a fitting start to his show both lyrically and musically as it was passionate and groovy. Verdes made sure to give every song a fun edge and as you might find listening to his discography, most of his music is perfect to sing along to. His recent album TV captures the catchiness and summery feel of poolside pop. He constantly encouraged the crowd to sing along and had an expressive way of delivering every lyric. Verdes also incorporated his talented band, giving them the spotlight to shine and bring the energy to his instrumentals. The bassist I remember especially for bouncing around behind Verdes and absolutely killing the backup vocals. You may have heard Verdes’ viral first single, “Stuck in the Middle,” which starts off with a bouncy riff and the catchy lyrics: “She said, you’re a player aren’t you, and I bet you got hoes.” The bass took on an important role then, leading the way for the song while the crowd screamed along. 

Tai Verdes performing at the House of Blues San Diego
Photo Credits: Katerina Portela

Part of the reason that this show was so enjoyable was because of how fun his music is: every song had the crowd dancing while Verdes himself smiled the entire time. The colors flashed between electric blue, scarlet red, and shades of yellow and orange: vibrancy shone through the entire show. For his two most well-known songs, Tai Verdes went to the crowd and asked an audience member a question, the answer to which would segway into the music. For example, in “Stuck in the Middle,” he actually leaped down and weaved his way to the center of the crowd to ask a young fan, “Hey, do you know what she said to me?” The fan, bursting with excitement, replied “You’re a player aren’t you!” and the song started with a bang. His fresh take on participating with the audience kept everyone engaged and when he stepped off the stage, it didn’t take long before everyone was screaming for more. He returned for a final encore for a song that he had already played, but somehow managed to make it even more energetic, namely because the song was called “Drugs,” and because of the occasion, it makes sense why the audience got so into it. 

Verdes left in a cloud of smoke, shining in sweat from the absolute effort he puts into every song and of course giving one last signature smile. When the show was truly over, I was surprised to find myself out of breath from all the singing and dancing that his music brought out of me. Tai Verdes brought the excitement to San Diego with his colorful and infectious joy during this explosive debut tour, an energy that I’m excited to see more of as his career continues.

Written by: Katerina Portela

KCR FEST 4/23

Live, local music and great times to be had with KCR!

On Saturday, April 23, KCR College Radio is holding a music fest at the OB Rassle House from 2-5 p.m. Tickets are $10 if you use the QR code and $15 at the door. Come through for some great live music and to support KCR and local artists!

Performances by:

  • T Rexico
  • Wizaerd
  • The Renters
  • The Martens

Album Review: Joyce Wrice-Overgrown

The R&B singer delivers her brand of throwback vibes on her debut album

Joyce Wrice has been bubbling for some time on the underground R&B scene. The LA-based singer/songwriter broke out in 2016 with her EP Stay Around and continued with collaborations with artists such as Westside Gunn of Griselda, The Free Nationals, and Crush. Under the partnership with R&B producer and frequent Ty Dolla $ign collaborator  D’Mile, Wrice takes listeners onto a time capsule back to the heyday of 1990s hip hop soul with Overgrown.
From the jump, it’s apparent that this project takes various cues from musical elements of R&B albums of that era. The most striking takeaway of this album’s sound is the lush but gritty instrumentation across all tracks. Funky guitar licks, boom-bap drums, string melodies and winding chord progressions permeate tracks such as Chandler, Losing, and Addicted. The self-titled track is a piano laden ballad that shares similar themes of self-love and strength with Mary J. Blige’s material, particularly My Life. The collaboration with fellow half-Japanese R&B singer UMI, a remix to That’s On You, carries a bluesy feel and is noteworthy for having a crossover appeal with Japanese lyrics. So So Sick is perhaps the biggest musical tribute to 90s R&B, with a subtle sample of Jon B’s 1997 hit They Don’t Know.

Another element Overgrown borrows from 1990s R&B albums is the balance of soulfulness and hip hop swagger through its collaborations and structure. On One with Freddie Gibbs carries the spirit of singer-rapper collabs such as Anything by SWV and Wu Tang Clan and Can’t You See by Total and the Notorious BIG. Westside Gunn’s Interlude, featuring the eponymous rapper, is humorously vulgar and reminiscent of rap interludes and intros on R&B albums by the likes of Phife Dawg and Busta Rhymes. Falling In Love, with fellow D’Mile collaborator Lucky Daye, hearkens back to collabs between singers like Slow Jam by Usher and Monica, and Final Warning by Ginuwine and Aaliyah. The album’s mix of uptempos and slow jams are tied together cohesively by interludes in the same way Faith Evans and Blackstreet used them on their albums.

Overall, Overgrown is a strong debut album for Joyce Wrice with its rich melodic textures compared to a majority of modern R&B albums with heavy hip hop influence. If this project is a sign of Wrice’s future as an artist, is it clear that she’ll be a breath of fresh air for R&B.

Score: 9.5/10

Written by Kristian Gonzales

Behind the Seams with Blake: Unexpected MLB Team Records So Far in 2021

These teams have surprised viewers thus far in the 2021 baseball season, posting win/loss records that aren’t in line with preseason predictions.

What’s going on readers! No really…what’s going on here? Who had the Reds being one of the hottest teams and the Orioles sweeping their opening series against the Red Sox on their 2021 MLB Bingo card? Who thought the Braves would begin the season by losing their first 4 games and the As would start out 1-7? Nobody. In this post, I will chronicle how the Reds, Braves, and Athletics got to their current records and explain whether I think their performance trends will continue in the same fashion for the entirety of the season.

Cincinnati Reds: The Reds have begun the season on fire offensively, averaging 9.5 runs per game, en route to a NL Central leading 5-1 record through their first 6 games of the season. Key players on offense have been top prospect 2B Jonathan India, RF Nick Castellanos (pictured above), and LF Tyler Naquin. Interestingly, Naquin was initially in the lineup just to fill in for regular LF Jesse Winker, but if Naquin continues hitting like he is (.316, 4 HRs in 19 ABs) I’d imagine the Reds will have a tough time deciding who to start in left once they are both fully healthy. The Reds have also gotten solid performances from 4 of their 5 starting pitchers through their first go-around in the rotation, with only their ace Luis Castillo (no, not the Marlins infielder from the Steve Bartman game) struggling so far this year. Now for the real question, is this sustainable? No, a team cannot average 9.5 runs per game through an entire season, as it’s the nature of the game for players to get into hitting slumps throughout the course of the season. The Reds can hope that their best hitters alternate times to go into slumps to avoid completely shutting off on offense for prolonged stretches of the season. Additionally, the team lacks proven starters in their rotation beyond ace Luis Castillo, as the rest of the rotation consists of 34-year-old Wade Miley, back of rotation starter Tyler Mahle, and 2 of the best starting pitching prospects of 2016 who’ve struggled to this point in the big leagues, Jeff Hoffman and Jose De Leon. It’s been entertaining to see the Reds showing a lot of fight to start the season (pun intended), but I still ultimately see the Cardinals winning the NL Central this season.

Atlanta Braves: Starting out the season 0-4, the Braves picked up their first 2 wins of the season on Wednesday, winning both games of a doubleheader against the Nats. The team has been shaky all around to start the season, as Ronald Acuna is the only player on offense who is not struggling to a certain extent. Top 2020 starting pitcher Max Fried has struggled in his first 2 starts of the season, and the back end of the bullpen hasn’t been a sure thing to this point either. Regardless of their struggles early on, I believe the Braves will turn their season around quickly and find themselves in the hunt for the NL East title once again, as they have so much young talent on their roster to go with several veteran players who have been on playoff-caliber teams already in their careers.

Oakland Athletics: It’s been pretty painful to watch As games thus far, as they have been quite pitiful though their first 8 games of the season, falling to a 1-7 record and landing at the bottom of the AL West division standings to start the season. Their franchise cornerstone Matts with the Bats; Matt Chapman and Olson have scuffled offensively to start the season. Additionally, the starting rotation has been awful, with nobody having an ERA lower than 5. The As have also experienced misfortune on the injury front, with offseason signee and expected closer Trevor Rosenthal having to undergo Thoracic Outlet Surgery, one of the hardest procedures to come back from (for example, Matt Harvey). The As will now have to figure out who is going to close games for them this season while also correcting their issues with starting pitching and hitting. Perhaps replacing shortstop Marcus Semien with the aging Elvis Andrus in the offseason will have a more negative impact than the organization anticipated. I predict it will be more difficult for the Athletics to right the ship than the Braves, as the Oakland squad has many more question marks at the moment. I’d expect to see them third in the AL West standings behind the Astros and Angels when it’s all said and done. 

Written by: Blake Koziel 

Photo Source: Red Reporter