Behind the Mic: Soundwave Transmission

When you hear the word “library,” genre-transcending music and quirky banter isn’t the first thing that pops to mind (at least I don’t think. I’m not going to pretend I know what you’re about).

However, that’s exactly where senior Michaela Hoover and sophomore Fabrizio Lacarra Ramirez began their friendship turned co-hostship of KCR’s very own “Soundwave Transmission.”

“I was trying to get some papers done,” Michaela says of the reason she went to the library that fateful day when she met Fabrizio. “I literally sat down next to him and we started talking for like an hour. I got no homework done at all and we’ve been really good friends ever since.”

This fall semester was their first season of “Soundwave Transmission,” a music show that prides itself on not sticking to any one genre and never playing the same song twice.

“It’s just a ‘good music’ show. Any song that’s good, we’ll throw it on the show,” explains Michaela. “Any song that gets us excited, any song that makes us feel fresh and invigorated, it goes on the playlist.”

“It makes it kind of special because every time you listen in to the show, that’ll be the only time you hear a song for our show,” adds Fabrizio. “So it’s like if you missed the show this week, you’re not going to get those songs and you might miss out on some stuff that you really like. So listen, basically.”

Fabrizio is in charge of curating the archive of music. During their downtime, the two hosts add music to the general playlist and Fabrizio then creates the song list for a given week’s show. He’s found a system that efficiently does two things: provides musical variety and satisfies both hosts’ preferences. The former is a given. The latter may be trickier when you describe your music tastes as a “Venn diagram” as Fabrizio does. However, he’s mastered the art of song selection.

“I like a little bit of jazz and more hip-hop, some electronica and more indie music whereas she likes a lot of jazz, Spanish music or music in different languages.”

During the creation of playlists, Fabrizio consciously pulls one of his music songs from the master list, one of Michaela’s, one of his, one of hers, etc. etc. repeat.

Because this is their first semester hosting for KCR, they had to overcome some challenges that exist with starting a radio show. The biggest? Remembering not to swear.

“The first two or three shows, I was cussing at least twice,” says Michaela (Don’t worry Brett, she pressed the button). “I would beat myself up for it and I’m better at it. I don’t think I’ve cussed in a while.”

“We almost had a slip up today, but I caught myself,” Fabrizio laughs.

Michaela chimes in. “I totally set him up to say something gross.”

Another lesson they learned was embracing the uneasiness of transitions. Fabrizio says they now accept their style and are “awkward on purpose.” Michaela describes the duo as “pretty dorky” and says they were trying really hard to be cool the first few episodes, but eventually came to the conclusion that they were better off embracing their own quirky voices and using that genuine approach to have a better show.

If you, the reader, are thinking “Dang, this show sounds awesome. I can’t wait to listen to it next semester,” then get ready to have your heart broken. Go ahead, sit down, grab some tissues. I’ve got something to tell you.

Michaela is headed to Spain next semester, so the duo will become an uno for the time being. Fabrizio will continue the show in the spring and keep up the same style and concept, planning on bringing in different guest hosts each week. While he has no plans on experimenting with “Soundwave Transmission” because he considers it to be their “baby,” he will also be co-hosting another show in the spring called “AJ Squared.” It is there that he may try his hand at new risks and creative ideas.

The hosts’ biggest goal this semester with “Soundwave Transmission” was to introduce their audience to new music while hosting a safe space in the radio waves.

Their go-to order at Taco Bell?

Michaela: Cinnamon Twists

Fabrizio: Nacho Cheese Dorito Taco

 

Written by: Monica Vigil
*Fabrizio doesn’t know what time the show will be next semester, but this semester it was Thursdays at noon. Follow their Instagram and say what’s up: @soundwave.kcr

Kodaline at the House of Blues

Kodaline gave their audience a taste of the weekend with their thrilling and riveting performance at the House of Blues.

 

The concert was opened by Ocean Park Standoff, a band consisting of Samantha Ronson, Pete Nappi, and Ethan Thompson. The group was energetic throughout their entire set, especially Thompson, who couldn’t help but jump around the stage. It was hard not sing along, especially as the singer about to dive right into the audience. Plus, the band members chemistry was impeccable, as the three cracked jokes throughout their set. They got right along, offering words of advice before continuing onto their next song, “Good News:” “If you had any bad news this week, fuck ‘em.” With their youthful spirit, Ocean Park Standoff encouraged us to let go and enjoy. It just made everyone excited for the rest of the night.

Kodaline’s entrance was silent, but their entrance caused the crowd to go wild. They started with “Follow Your Fire”, a song from their newest album “Politics of Living”.  Known originally as 21 Demands, the group started in Dublin, Ireland with Steve Carrigan (vocals, guitar) and Mark Prendergast (guitar) as founding members of the group. The name later changed to Kodaline with the addition of Jason Boland (bass guitar) and Vinny May Jr. (drums).

 

With the moody lights and simple stage set, Kodaline focused on what was important: their music. Seemingly in his own world, main singer Steve Garrigan had his eyes closed for a majority of the songs. Though it was a contrast from Ocean Park Standoff’s interactive stage presence, Kodaline’s style of performance was just as captivating.

Listening to their music in such an environment made their vocals sound even more raw. I had always loved their music, listening on my phone or through Youtube, but to hear it in person, was an experience. Being apart of the audience felt like a dream, with everyone swaying in a trance to a deep pulse. If I had another chance to go listen and see Kodaline, I would not need a lot of convincing. Not only is their music amazing, their performance and stage presence must be seen in person. Kodaline has come a long way since their humble beginnings as a two-man band, and their fans and other music enthusiasts should look forward to their future projects indefinitely.

Review by: Veronica Yoo

Rex Orange County at the Observatory North Park

Rex Orange County brought his signature timeless energy and love to the Observatory North Park.

As I approached the Observatory North Park to see Rex Orange County on November 13, my mouth dropped once I saw how long the line was to enter the venue.  It was fascinating to me to see so many people that were all here for the same artist and who have been touched by his music in some way.

Everyone in the crowd carried positive energy and were talking about what they were most excited for during the show.  I was lucky enough to see Rex during the summer at Mo Pop Music Festival in Detroit, so I felt as if I was familiar with his show and set before it had even started.  However, during his show in San Diego I felt a whole new aroma and experience.

Once the lights went off and the cheering started, an audio recording from a vintage film began to play.  Rex walked out on stage and colorful rainbow lights flashed on, also revealing a backdrop with a picture of a peach.  The opening song was nonetheless “Apricot Princess,” which is on my favorite album of his called, “Apricot Princess” as well.

During the middle of the show, Rex decided to switch moods with the audience and play “No One” by the one and only, Alicia Keys.  I could not believe how amazing this cover was, especially because he made it sound like his very own version of the song. He played his acoustic guitar throughout the show, including during this song, which gave it a unique twist.

After Rex left the stage to prepare for the encore, the crowd cheered “Rex” as loud as they could, waiting for him to make another appearance.  When he came back on stage and the encore had started, Rex told everyone to shout the words to “Loving is Easy” and jump as high as they could throughout the chorus.  

The energy during the entire show was through the roof and everyone in the audience left the venue out of breath.  The show was an hour and a half, but felt as if I was there for barely an hour. I felt connected with the people around me because we were all bonding over the same music together.

 

Check out Rex’s website for more on the artist.

Review by: Kylie Buckfire

Treasure Island Music Festival Highlights

A celebration of music, art, and Bay Area culture – the best way to describe Treasure Island Music Festival.

Located in Oakland, CA, Treasure Island Music Festival (TIMF) recently hosted their 11th annual music and arts festival with over 23,500 total attendees across two days. As an avid festival-goer myself, I will admit that my expectations were high for my first time attending TIMF. In the years past, the festival was located on Treasure Island itself. This year, TIMF decided to give the crowd an even better experience by moving the festival to Middle Harbor Shoreline Park. Not only did the new location provide an eccentric beach vibe in mid-October weather, but you also had an unbelievable view of the San Francisco skyline no matter where you were. Produced by both Noise Pop and Another Planet Entertainment, TIMF has grown to become one of the West-Coast’s most favored music festivals for many reasons.

DAY ONE: Hip-hop, House, & High-energies. 

One thing that sets TIMF apart from other festivals is how they skillfully incorporate different genres each day to appeal to several different crowds. With only two stages and no overlapping sets, there is never a need to worry about missing your favorite artists, giving the overall festival a stress-free vibe. Kicking off the weekend on a high note, day one of TIMF was filled with hip-hop, house, and high-energy performers. If you want constant dancing, loud bass, and bold, colorful outfits, day one is for you. Headlining the first day was critically acclaimed rapper and songwriter, A$AP Rocky, who closed out his U.S. tour with TIMF as his final show. Other headliners for day one included the second-ever festival performance of Silk City, the new experimental duo between Diplo and Mark Ronson; electronic/new wave singer and songwriter, Santigold; and many other famous artists such as Pusha T, Aminé, Laff Trax featuring Toro y Moi and Nosaj Thing, Polo & Pan, and more.

The legend himself

DAY TWO: Rock & Relax.

If you’re into indie rock and are looking for a more laid-back vibe, day two is for you. The difference in apparel on the second day was apparent, with most attendees in vintage attire and oversized jean jackets. Closing out the festival was the incredible psychedelic rock band Tame Impala, who is prepping for the release of their highly anticipated, soon-to-be-revealed album. Other headliners included Lord Huron, who recently released their third album, Vide Noir; Jungle, a 7-person live band from the UK; folk-rock sensation Courtney Barnett; and POND, Cigarettes After Sex, US Girls, and more.

Art & Interaction

With the advantage of TIMF featuring non-overlapping sets, there are plenty of opportunities to take a break from the stages and check out all the art and interactive tents around the festival grounds. I admire how important art is to TIFM, because most festivals do not offer the opportunity to find your creative outlet amidst the busy crowds and performances. On day one, Molly and I arrived at the festival shortly after the gates opened and were both instantly impressed by how much there was to do. I was blown away by the number of free items that were offered to everyone, from custom sunglasses, to foldable hand fans, to endless Odwalla smoothies and Cliff bars.

There were three major art installations at TIMF, one of which you notice directly after walking through the gates: the 1800-lb manta ray sculpture, named “Fly By” by Peter Hazel and Colin O’Bryan, was influenced by the Spanish architect Antoni Gaudi. This may be the most memorable piece for most attendees due to its prime location overlooking the Bay Bridge and San Francisco skyline. Formerly displayed at Burning Man 2015, Mechatheusisby Barry Crawford presented a giant mechanical squid with moveable tentacles. My personal favorite, the “Cosmic Voyager” by Chromaforms, featured a laser-cut stainless steel sea turtle sculpture where you can observe a futuristic city from beneath its body and even receive a horoscope reading based on the date and time. The festival also featured the “Balloon Chain” by Robert Bose, similar to the ones presented at Coachella, giving the crowd a colorful and heart-warming feeling no matter where you looked.

Good plants

One of my absolute favorite parts of the festival was WorkshopSF’s Camp DIY, where everyone is encouraged to express themselves through several different crafts offered. Whether you’re interested in crafting, sewing, tie-dyeing, or florals, there is something fun for everyone to experience. First, Molly and I checked out the funky temporary tattoo table, where we got to browse through hundreds of free tattoos and shared stories with strangers about why we chose the one we did. Molly got the chance to make her own flower crown while I stamped up some fabric and made myself a patch. This area also featured a unique, remodeled trailer filled with plants that guests are encouraged to walk through, along with a display of one-of-a-kind painted jean jackets by local artists.

The Highlight: Tame Impala.

Without a doubt in my mind, Tame Impala’s long-awaited performance was the highlight of the weekend (and probably my life). Seeing Tame Impala live is not like going to any other show; it is truly a spiritual experience. After waiting over 4 years to hear them live, my expectations were through the roof. With that being said, I was completely mind boggled after their 90-minute-long performance. The psychedelic rock band was scheduled to play at Desert Daze just two days before and unfortunately had their set cut an hour short due to a hazardous electrical storm, so it was clear that they were ready to bounce back and perform their hearts out for the Bay Area. To top it off, they performed their song “Jeremy’s Storm” for the first time in five years for a one-off jam. They even admitted to hardly practicing beforehand, so it was a special experience seeing them improvise live on stage. I have seen hundreds of musicians throughout my life, but nothing will compare to the talent Tame Impala puts out on stage. They are one of those extraordinary bands that sound even better live and I feel so lucky to have witnessed such an exceptional performance.

(Blurry) Tame Impala

Final Thoughts.

Overall, I was blown away by Treasure Island Music Festival and the experience they gave their attendees. It’s no wonder it has become one of the West Coast’s most beloved music festivals – I highly encourage everyone to check it out next October! A good majority of the crowd was 21+, which resulted in a more mature and laid back audience. If you’re legal and looking to enjoy good drinks with good music, this is the perfect festival for you. No matter your age, however, there is always something to do at TIMF. From the all-remarkable performances to the unique art and interactive vendors, this festival stands out above many others. Counting down the days ‘til next October when I get to do it all over again!

Representing KCR!

Review by: Brittany Roache