Movements at the OC Observatory

Movements performed a sold-out show at the Observatory Orange County on Friday, April 19.

With alternative rock groups alongside Movements including Drug Church, Trash Boat, and Boston Manor, Movements managed to put on a memorable act that shows their growth as musicians as well as their appreciation for their loyal hometown fans.

Orange County’s Observatory, in comparison to the North Park location, was a bit too claustrophobic for my liking. For one, the venue was entirely general admission but consisted of terraces that spaced out the crowd into awkward sections. Second, the pit was simply too tiny for the number of people wanting to mosh, crowd surf, and just have that full concert experience. The crowd was stuffed like sardines but this did not put a damper on their energy for the openers. Unfortunately, I missed Drug Church and Trash Boat’s sets, but Boston Manor’s performance easily made up for it and got me excited for the rest of the concert.

An Emo and pop-punk band from across the pond, Boston Manor is hands down one of my favorite groups to watch live. Henry Cox is an excellent frontman with the vocal abilities to match which showed in their opener “Flowers in Your Dustbin” from their latest release Welcome to the Neighbourhood. Backed by talented musicians, Cox kept the crowd moving with their hits like “Halo” and “Lead Feet,” angst-driven anthems that warmed up fans for the main event.

Movements exploded in popularity upon releasing their debut album Feel Something in 2017.

Since then, they’ve toured with big-name players in the scene such as Knuckle Puck, Citizen, Turnover, and The Story So Far. The band opened with “The Grey” which describes the feeling of slipping into a cold and lonely depression. Frontman Patrick Miranda, who is open about his struggles with anxiety and depression, is unafraid to speak on mental health issues in his lyrics. Next up was a fan favorite “Colorblind” which had the audience pushing, shoving, and loudly singing along. Miranda is known for his colorblindness, consistently making note of it in other songs like “Deep Red” which is a personal favorite of mine. This song starts off with a catchy bassline, worked by Austin Cressey, that punches through the guitars and vocals. The chorus is ear-wormy in and of itself with a break down that allowed the band to let loose on stage.

Movements is a SoCal band that grew up in Rancho Santa Margarita who, despite their rise to fame in the scene, have not forgotten their roots. This show specifically was a sign of gratitude to the fans that have stayed with them all these years. Patrick reminisced to the time they opened for the band Basement in the same venue. In 2015, they performed in front of 300 people. Today, they sold-out a well-known music venue, playing in front of an audience who truly cares about their art.

The end of the show was bittersweet. Movements came out to a crowd chanting their name and finished with the classic “Daylily.” As the song reached its crescendo, Patrick raised the mic to the audience as they sang “‘I think it’s time you had a pink cloud summer'” back to the band. The group felt at home and living the dream.

Written by: Rica Perez

Bad Suns at the Observatory North Park

Bad Suns

The Bad Suns’ 2019 Mystic Truth Tour brought them to the Observatory North Park during April 3rd this year alongside Carlie Hanson.

Before the Bad Suns’ set began, 18 year old Carlie Hanson opened the venue with some entertaining, uplifting energy followed by passionate music coming from her band.

When her time was up, it was setting up time for the stagehands. It was quite clear that although the instruments for the band were there the set was not ready beforehand. This lead to waiting for the main show to start, but that is expected usually when seeing a band that is constantly touring. When the set was ready and the light tests were done, out went the lights and the show began.

Shortly afterwards, a couple notes began playing and the Bad Suns walked on stage to their designated spots amazed the audience. Their passion for music and the sound that they create go in hand with each other, and is demonstrated even better when seen performed.

As someone who was not fully aware of their songs and progress, I definitely saw myself having a good time at the concert alongside all these die hard fans who were singing and dancing their hearts out along Christo Bowman (Lead Singer of Bad Suns). There was never a single mistake through their entire performance, which was fantastic to see.

In conclusion, this band did a great job at creating the environment fans wanted, there wasn’t a second where they were not going mental over the sounds being emitted. If you ever get the chance to see these young indie legends perform, I would say take it because you will be in for a modern rock experience.

Written by: Santi Vidal

Vince Staples & Buddy at The Observatory North Park

Born in Compton & raised in Long Beach, Vince Staples has risen to be one of the leading artists of west coast, new wave rap.

On April 2nd, he performed at The Observatory North Park along with up-and-coming artist Buddy (famous for tracks such as “Black” ft. A$AP Ferg, “Trouble on Central”, and “Trippin’” ft. Khalid). Similar to Vince Staples, Buddy was born in Compton and went to highschool in Long Beach, CA. Throughout their “Smile You’re on Camera” Tour, they have consistently sold out shows (including the one in San Diego), and made good money selling stylish merchandise at venues.

The Observatory North Park served as a fantastic host site for the event.

Considering that the venue is one of the best in SD, it helped that their was a large enough space to hold a huge rap-loving crowd. For those over 21, the venue includes a bar that serves drinks throughout the night. Additionally, security consistently ensured their was no underage or irresponsible drinking

As the crowd slowly poured in more and more, spaces were condensed and mosh pits were formed. Vince Staples’ entrance was as grand as his latest album and immediately made an impact, causing hype throughout the crowd. His presence fueled the energy of the fans and consistently maintained an open environment for those screaming the lyrics they had memorized

As a Vince Staples fan who has been listening for years…

I was ecstatic each time an old song was performed. Vince Staples recognizes crowd favorites and catered to those long-time fans. In addition to his new album, he performed songs from every single one of his albums and even some long forgotten mixtapes.

The visuals and lighting used for this show were extremely well done and added to the grandeur of things. Smoke was used to create an ambience that filled the stage as the lights created a silhouette of Vince Staples. The live video playing in the background features low-res footage shot with slow shutter to make it seem as if Vince Staples were moving in slow motion, but in real time. All in all, it was very impressive.

When concluding his show, he walked off and let his friend take the stage in a special way. They played a video of Mac Miller performing an NPR Tiny Desk concert; to add to the mood/sentiment, it was shown in widescreen format as well as black-and-white. Seeing as Mac Miller has passed and I never got to see him live, I truly appreciated the deed; it was as if Vince Staples was touring with him and it felt so authentic as if he was really there; they used audio from a live performance where he thanked fans for coming and was speaking from the heart. It was heartwarming to see that 90% of the audience stayed for the entirety of Mac Miller’s “performance” as it was just a video that was not advertised/warned.

What San Diego received was an overall great show with great stage presence from both performers and a hyped crowd that fell more in love with the artists/music. As they continue their tour, we in San Diego can only appreciate the good time that they carried in with their arrival that night.

Written/Photographed by: Eduardo Orozco

A NGHTMRE Before Xmas at the Observatory North Park

Although Halloween has passed, it was most definitely a NGHTMRE before XMAS at the Observatory North Park.

The American EDM DJ/producer NGHTMRE, made his anticipated NGHTMRE before Xmas tour stop in San Diego the Wednesday before Thanksgiving, bringing a crowd of headbangers to break their necks to the electrifying drum and bass, trap, bass house and dubstep bass lines.

Coming from a college student who was glad that Thanksgiving break was finally here, Wednesday night felt more like a weekend night out with NGHTMRE providing the sounds such as his classic “Street,” to his “GUD VIBRATIONS” collaboration with Slander, to his more recent work with The ChainsmokersSave Yourself.”

He definitely brought the atmosphere to the crowd with the LED panels behind him displaying his zombie, pumpkin head skeleton and demon visuals, the synchronized lights and strobes flashing right in front of your face and even the vibe he would put out either by talking into the mic, or just him moving and dancing to his own music.

As all other DJs/producers, NGHTMRE had some in developments (IDs) that he teased the crowd with. One that stood out was his surprising collaboration with A$AP Ferg. Although he completely stopped the music and brought the room to a blackout to announce the collab, Ferg’s voice is definitely one you cannot mistaken.

As he starts playing the track, you start hearing Ferg rap over the beat and into the buildup, adding to the intensity when all of a sudden, the beat drops. Right away, you realize the utter filth of bass, brass and synthesizers that was just unleashed to your eardrums; filth that you want to be released already but probably will not happen until another six months from now (EDM DJ/producers take a long time to release their work).

Overall, NGHTMRE did not disappoint and brought some light to the souls of the undead and told his story of the NGHMTRE before XMAS.

Review by: Gustavo Cristobal