Taylor Swift’s Reputation is Not Getting Any Better

On March 11, Taylor Swift released her new music video of her song Delicate. As thrilled as people were to see it, the video was nothing new that we haven’t seen already. We’ve seen a corky girl dancing, we’ve heard people complain about being famous, and we’ve heard songs about boys. I was hoping her entire new album be about her, but I guess I was wrong.

The song itself wasn’t bad, but the elements in the video were. Taylor Swift is popular for her corky dance, but in this video she looked like a poor imitation of Maddie Ziegler, the popular dancer featured in Sia’s videos. Her dancing was made a mock off such that people made her into a meme. Some overriding Swift’s song with Spanish singer’s, Melody, song El Baile del Gorila, where it appears that she is dancing to that song instead of Delicate. This is not the only comparison that Swift’s video is being compared to. There is also a controversy relating to the similarities that Delicate has with Kenzo’s perfume ad, calling Swift’s video a “copy with worst dancing.”

If there is anything more annoying than her dancing is the autotune she has started to incorporate into her new songs. This robotic special effect is making her no good, and she should stay away from it. The girl sings good, and she should not try to fix what is not brocken. She along with her team need to understand that her fans would rather hear her voice than a machine. I had to watch the video with captions in order to understand what she was singing. The captions helped, and the more I listened to it the more I enjoyed it, but if I can’t understand the song without captions then there is no point in listening to it. The special effects used on her singing does not work for me.

Having a good beat, and a catchy phrase makes a good song, but not a good music video. And let’s leave the crazy emotional dancing to Ziegler.

Ed Sheeran Creates the Perfect Duet

Ed Sheeran is a musical genius. I don’t know how else to phrase it. “Perfect” is one of the remarkable singles off Ed Sheeran’s latest album “Divide.” If you love that song as much as I do, you’re probably wondering how it could possibly get any better.

Let me tell you. “Perfect” as a duet with Beyoncé… (YES, Beyoncé) is exactly how it could get better.

Ed Sheeran left social media behind for about a year to focus on himself, only to return with more remarkable music compiled in “Divide.” “Perfect” is the epitome of what every girl hopes to hear from their significant other, or at least something close to it. There is such sincere, deep emotion in each line; this is a common theme within Ed Sheeran’s music. He is truly devoted to his music and the results always prove to be phenomenal.

The duet is sculpted to perfectly illustrate the underlying emotions from each singer. Their voices complement each other incredibly well. The harmonies are breath-taking. I didn’t realize I needed to hear Beyoncé and Ed Sheeran singing together until this release.

Little did we know, he’s been waiting to release the duet for nearly two months. What else could Ed be holding out on for us? He dished all the details about working with Beyoncé in an interview with Keltie Knight.

His hard work continues to pay off and working with Beyoncé is just another treat for all of us Ed Sheeran lovers.  According to the Official Charts, if the duet remains at Number 1, this will be Ed’s fourth song at the top of the charts.

What will Ed surprise us with next? Whatever it may be, I’m sure we won’t be disappointed.

I hope you enjoy this perfect duet as much as I do.

All puns were intended throughout the making of this blog post.

Featured image retrieved from here.

It’s All It’s Cracked Up To Be

After releasing their first self-titled EP in 2006, Fleet Foxes quickly swept the indie folk scene. It wasn’t until 2008 when they released their second EP “Sun Giant” did the band start to make a greater impact in the indie music world.

After their 2011 release “Helplessness Blues,” the band’s then drummer and now superstar extraordinaire Josh Tillman a.k.a. Father John Misty decided to leave. Fleet Foxes then went into hibernation not too soon after.

Fronted by Robin Pecknold, who sings and plays guitar, along with now permanent members, Skyler Skjelset (guitar, mandolin, vocals), Casey Wescott (keyboards), Christian Wargo (bass guitar) and Morgan Henderson (upright bass, woodwinds, violin, percussion), Fleet Foxes have risen out of their hiatus with a new piece of artistry titled “Crack-Up.”

This album works to be something separate from prior releases, but still holds true to the band’s indie folk roots. With tracks like “Third of May / Ōdaigahara,” the wave of instrumentation washes over with a driving piano and bass lines that carry Pecknold’s voice and remind listeners what Fleet Foxes are all about. The song is like the ebb and flow of waves on a shore. Moments of nothing but an acoustic guitar and whisper-like vocals cut to the same driving guitars and percussion.

Other notable tracks include “Fool’s Errand,” an eerily upbeat rhythm that crescendos into a love song driven by Robin’s drawn-out lyrics. Although past albums were as genuine and raw, this album’s lyrics stand out as even more emotionally charged. When the hard hitting music subsides and it’s just Pecknold’s voice, this album has something more intimate.

If you’re already a fan of Fleet Foxes, dive right in to this album and don’t look back. If you’re looking for an album to sink your teeth into and want to find your new favorite band please be sure to give Fleets Foxes’ newest effort “Crack-Up” a wholehearted listen.

Featured Image: https://consequenceofsound.net/2017/03/fleet-foxes-detail-new-album-crack-up-share-sprawling-third-of-mayodaigahara-listen/

How I Saw The xx at The Observatory

After tickets for The xx show at The Observatory sold out in 20 minutes, I found myself at a loss. A friend and I had been wanting to see them for awhile now, so when the weekend of Sept. 23 approache, we were determined to finally make it happen.

For those of you who do not know who The xx are, think back to Project X. That’s right. In addition to the movie’s famed “Heads Will Roll” A- Trak remix, The xx’s “Intro” was used to close out the film. The band consists of three members: Romy, Jamie and Oliver. Together, the three of them create sweet, sweet indie pop sounds.

As we stood between the bar and the entrance to The Observatory, my friend and I had to painfully hear songs such as  “I Dare You” and “Say Something Loving” through the walls. We couldn’t take it anymore. So, we did what any self-respecting fan would do – we just snuck in.

I am not writing this in hopes that you will sneak into Observatory shows or give you a “how to” guide – that is not my intention. But, desperate times call for desperate measures. With the help of an old yellow receipt in my purse, some tape and a heck of a lot of confidence, my friend and I flashed our makeshift wristbands and booked it into the crowd. We were in, SUCCESS.

After hearing songs such as “VCR “and “Shelter,” we were hooked. The performance was amazing thus far, but then the Jamie xx solo happened. Jamie not only played his hit song, “Loud Places,” with his bandmates, but continued on as he freestyled his way to his new remix of the group’s song, “On Hold.” The crowd went absolutely nuts when Jamie’s bandmates then came out to perform the full song.

I have been to many shows, but I have never witnessed a crowd like that one. It was truly amazing to be part of something so magical – applause and cheers went on for 3-5 minutes at a time. It was evident that although small, the venue was packed with loyal fans who could not contain their love for the British trio. If you ever get the chance, even if you are not familiar with The xx, I 100 percent recommend seeing them play anyways (buy a ticket).

KCR College Radio does not endorse unpaid entrance into shows.