How To Survive Escape Psycho Circus

Attending a music festival is a rite of passage; after an amazing weekend at a Halloween themed festival, it makes sense why everyone should attend at least one music festival in their life.

On the weekend of October 26 & 27th, the National Orange Show Event Center in San Bernardino hosted another year of Insomniac’s Escape Psycho Circus! DJs from the EDM music scene such as Seven Lions, Kaskade, Martin Garrix, Galantis, KSHMR, Diplo, and more, performed over the weekend for attendees.

Escape Psycho Circus is a 2-day music festival that occurs the weekend before Halloween, which is considered to be North America’s largest Halloween Electronic Dance Music Festival & Freak-show. At this music festival, there were 4 stages that you could go to watch your favorite artist, including the Slaughterhouse, Ghoul’s Graveyard, The Chopping Block, and Cannibal’s Tea Party. There were performers spread throughout the festival grounds in order to bring a stronger ambiance of Halloween to all attendees, as well as an interactive section known as the Asylum, for those who are brave enough to enter.

Crowd picture during KSHMR’s set

Being a first timer for Escape Psycho Circus & music festivals in general, I didn’t know what to expect. I’ve only had very few experiences from past concerts I’ve attended throughout the year, but never an event this huge. I’ll start off with a few tips that helped me enjoy the 2-day experience

1. Bring a Camelbak

This may seem like common sense, especially since everyone gets thirsty at any concert, but Camelbaks were a lifesaver. I love drinking water throughout any event so I feel like this was worth purchasing for myself, especially if it can hold more than 2L of water. Depending on the amount your Camelbak can hold, it means less time to refill your backpack and more time to watch your favorite sets for the night.

2. Bring as little as possible

As someone who tends to over-pack for a 2-day trip away from home, this was a tip I took advantage of when heading out to the festival. Only bring the necessities you need for that night. In my case, I only needed a portable charger, hand fan, ID, debit card (for purchases), and a small towel to soak up any sweat from my face. The reason I say this is because your small Camelbak, fanny pack, or small backpack cannot fit more so try to take as little as possible.

3. Always bring a portable charger

There is nothing like going to an event to take squad pictures or videos of your favorite set in the background, and your phone dies. It’s always best to charge your phone to 100% before you leave and always have a portable ready for when you run low on trying to meet up with your lost friends.

4. Bring a totem pole

This tip is vital. I always have experience losing my friends within the crowd of a typical concert. However, if you lose your friends at a music festival as huge as Escape Psycho Circus, you are honestly doing it wrong. It will be very difficult to find them, especially considering the NOS events center has no service once inside the venue. By creating a totem with a symbol, sign, or meme on a 5-8 ft pole, you are able to find your friends with your distinct totem. Plus, this allows for groups to be very creative in how they decorate it.

5. Go with a friend who has gone before

It is best to attend your first music festival with someone who has experienced at the same venue or Insomniac themed events. I was lucky I invited my close friend to show me around & determine a meet up spot in the case that something happens. With that said, it allows for you to explore the festival grounds with someone who can help you find the next stage to go to.

Ferris Wheel featured within festival grounds

Besides these steps, I also have some small lessons for those who are either inexperienced or concerned about any fears.

If you are HIGHLY claustrophobic or develop anxiety attacks from being in crowds, please sit/stand within a safe distance. I discovered over that weekend that I have claustrophobia from being unable to breathe in crowds with little to no room, so I had to step out for one set. Honestly, I believe the main factor could also be the anxiety one develops from their first music festival. But remain cautious.

Remain respectful to everyone attending. We’re all here for the same reason: to watch our favorite DJs and spend time with our friends. Unfortunately, I came across several attendees who were disrespectful by inciting violence & preventing others from enjoying their experience. Don’t be that person in your group who ruins everything for others because you decided to push impolitely through the crowd; most attendees would be glad to help you through. Also, if you are trying to stay with your group by holding onto each other, please do not be the reason you separate their group because you couldn’t remain patient for 1 minute.

Set a budget for purchases inside the festival. I personally love to purchase one item from the merchandise tent at every concert I attend, so I set a budget aside for food, drinks, and merchandise before entering the festival. It’s best to avoid purchasing too many alcoholic drinks (for those who are 21+) due to ridiculous pricing. Also, try not to purchase snacks that you can get back home for a much lower price, especially if you are traveling from another country, city, or state.

Honestly, live in the moment. This lesson goes out to those who are considering attending their first music festival or will be attending one soon. As much as it’s great to take videos & pictures throughout a DJs set, don’t forget to enjoy yourself. I decided to opt out from recording too often & took my group photos beforehand to avoid wasting time. Living the whole experience without having your phone attached to your hands the entire time makes it all worthwhile. Listening to my favorite DJs with my closest friends helped me enjoy my weekend away from home; it’s almost as if attending was my ESCAPE from reality (haha, sorry!).

Overall, I don’t regret attending Escape Psycho Circus because it has prepared me for future music festivals. I understand a majority of festivals can become pricey overtime or have specific artists you may be interested in, but if you are ever given the opportunity to attend one, do it! Though, if you are experiencing FOMO (Fear of Missing Out) & impulsively purchase a ticket, just be cautious of your schedule. Watch out with becoming addicted to music festivals, it’s a hard addiction to beat; I should know!

Written by: Sofia Gomez

Dexter: Detrás de Cámaras con el equipo Caloncho

Dexter (Izquierda) y Caloncho (Derecha) en el festival de Entijuanarte en Octubre.

 

El proyecto Caloncho encabezado por el vocalista Óscar Alfonso Castro, tiene miembros integrales como lo es Dexter Águila, su mano derecha. Usualmente se piensa en el vocalista como el centro de atención, pero hay individuos vitales para que este arte se lleve a cabo.

Fue a Dexter a quien Castro le comentó el plan de formar un equipo cuando lo conoció por primera vez en una banda ‘Bandz and Tigers’ en donde, a el ahora Caloncho, lo necesitaron como suplente de baterista.

Experimentaron de todo. Tanto el viajar de su casa en Guadalajara a Querétaro para una tocada, y regresar esa misma noche por no tener hotel donde hospedarse, hasta llegar enlodados a una presentación porque el GPS los guió por un camino en donde se les atoró la camioneta.

“Nos presentamos en bodas, quinceañeras, y hasta bazares.. El chiste era tocar”, dijo Dexter.  

Años después, se encuentran en festivales por todo México tocando con su arte a miles. El festival Entijuanarte, por ejemplo, se llevó a cabo este mes en la ciudad fronteriza de Tijuana, en donde hay influencia de todo tipo de culturas y se siente el amor de su gente, dijo Dexter.

Para Dexter, la pasión por la música lo llevó a experimentar literalmente “sangre, sudor y lágrimas” al tocar su primera guitarra que se le regaló con mucho esfuerzo a Dexter. Fue distinto el ver a su vecino que se olvidó y que dejó empolvada la suya como uno más de sus juguetes.

A la misma vez, dice que se trata de compartir esta pasión, y no necesariamente de adaptarse a las demandas de lo que generará más dinero. Para él es una invitación que se le hace al mundo de que acompañen al grupo en esta travesía.

“Si no estás feliz y sólo lo haces por vender, se vuelve un

a cuestión económica y no pasional”, dijo Dexter. “Es ahí donde existe un conflicto de valores personales”.

Si es tocar rock psicodélico como lo hacía anteriormente, o reggae, hacerle un homenaje a ‘De Quen Chon’, o cantar a todo pulmón ‘La Chona’ rumbo a una presentación, lo que importa es que lo disfruten.   

En este caso, es evidente que han podido seguir con su proyecto ‘alternativo’ y tener éxito a la misma vez. Es música universal, o como él la llama, ‘música que su abuelita puede escuchar’. Es más, para él es una misión el llevar este arte al mundo.

Todos forman parte de esta misión de llevar este mensaje. Muchos de sus temas tienen un mensaje optimista o también pueden ser un reflejo de lo que sucede en sus vidas. Por ejemplo, Dexter comparte que el hit de Bálsamo, fue para Caloncho un reflejo del amor de familia. Con el tema ‘Equipo’ se extiende esto a los productores, a los fans y a todos a los que une este proyecto.

Junto a esta filosofía de unión, también comparte Dexter la de el ser únicos. Cada miembro tiene sus propios proyectos, y lo que los une es Caloncho. El punto es no detenerse e ir haciendo lo que la vida les presenta, por eso tienen pensado ir sacando temas conforme los vayan componiendo.

El artista pone el ejemplo de dos dentistas y la idea de que se nos dice que todos tienen que ser iguales. Entonces qué los va diferenciar? El afirma que si a uno le gusta pintar y al otro le gusta el fútbol, hay que aprovechar estas diferencias.

“Somos personas multifacéticas” dijo Dexter.

Para él, el secreto está en el creer que ‘lo puedes’ como si fueses un experto en cualquier cosa. Es un ‘todólogo’, afirma en su descripción de Instagram. Tiene una compañía en donde trabaja con artistas para mejorar su presentación en redes sociales y también le gusta crear música ambiental y relajante en la plataforma de Youtube.

Otra forma de ir dejando semillas en la vida de las personas, es a través de su pasión por la comida. Su estilo de vida, vegana, es difícil en un país carnívoro. Pero, dice que su decisión tiene un impacto a gran escala; tanto en la huella ecológica como en la sociedad en general.

El descubrió que a través de la comida, iba a cambiar el mundo. Dijo Dexter.

“Pero también hay quien comparte esta ideología de manera denigrante”, dijo Dexter. “No es por el lado del odio, si no por el lado del amor”.

 

Greta Van Fleet – “Anthem of the Peaceful Army” Album Review

A time when rock stars wore their hair down to their shoulders, and music allowed you to escape into heavy guitar riffs and deeply poetic lyrics. That is what Greta Van Fleet encompasses in their new album “Anthem of the Peaceful Army.”

The band faces constant comparisons to Led Zeppelin’s Robert Plant and Jimmy Page causing a response of appraisal or in some cases backlash, and although there will always be critics out to say the worst, Greta’s first work was a radiant start to something beautiful. The band of brother’s first EP “From the Fires” caused a boom in the rock world landing them on lineups across the country from Coachella to Lollapalooza. They received approval from Elton John, Tom Hanks, and even Robert Plant. It is apparent when listening to the band that they are inspired by a dense vinyl collection from rock of other generations.

The album begins with the feverous song, “Age of Man;” its slow start entices listeners to embark on a 10 song journey. It is the first of many layers the band created on the album. The record quickly moves towards the hard rock sound they’re known for, as songs such as “The Cold Wind” and “Lover, Leaver” show their ability to successfully pull off complex guitar solos. To juxtapose these heavier moments, rock ballads such as “Anthem” and “You’re the One” bring a sense of peace and tranquility to the album by having acoustic guitars string the songs along. The record additionally finds a middle ground between these two styles; the songs “Watching Over” and “Brave New World” utilize some eerie guitar riffs which bridges the styles into something in between.

Unfortunately, the band still has some work to be done on creating a more personal and unique aspect to their music and lyrics; something bands like the Beatles, Nirvana, and Cage The Elephant have seemed to accomplish through drawing personal stories hidden beneath their epical lyricism. As it is their first full length album, in time there’s a strong possibility that they will be able to use their platform to discover their own unique sound and voice in the rock world.

Rock music of the 70’s was inspired by political and social strife. Currently, we are experiencing a similar social divide among us. Greta Van Fleet’s desire to bring back the themes and sounds of that time only makes sense. It is about time that a band takes the risk of continuing on a sound that got lost in the future generations. The band has the potential to excel, they now just have to prove to the world they are ready to take it.  

Written by: Kelly Kerrigan

How I Survived Hurricane Impala, and Other Tales from Desert Daze 2018

Long waits, storms, and tears – the magic of Desert Daze transcends any and all bad vibes

I am not a seasoned festival-goer. I’ve never been to Coachella, I’ve never been to been to Lollapalooza, I’ve never even been to Warped Tour (RIP). The idea of sleeping in a tent for three days, drunk, hungover, sweaty, and dirty does not appeal to me, even if it does mean I get to see countless bands and forget about my schoolwork for a weekend. Give me a dark dive bar in a seedy neighborhood or a house show I found out about on Instagram over a multi-day, outdoor behemoth attended by thousands. I guess I’m more of an indoor kinda girl.

So when I received two weekend passes to the Desert Daze music festival in Lake Perris courtesy of KCR, I wasn’t sure how much I was going to enjoy myself. I figured I should at least go for the experience of a music festival, and I really did want to see King Gizzard and the Lizard Wizard live. After securing a festival companion (let’s call him Patrick, because that’s his name and I can’t think of a funny codename), procrastinating about buying the required camping passes, and planning out all of my outfits, I was all set for my first foray into festival life. In the end, my experience at Desert Daze ended up being perhaps one of my favorite memories ever. Here’s a summary of highlights (even though some may seem like lowlights – they can be both, don’t be so binary) from the weekend:

The Lineup

So close, yet still so far…

Patrick and I turned onto Moreno Beach Drive around 12:00, just as we’d planned. We figured this would give us ample time to get in, set up our “campsite” (read: the truck parked in the parking lot, sleeping bags arranged into a bed beneath the canopy), and catch either Tropa Magica (my pick) or Sugar Candy Mountain (his) around 2:00. This was not the case. No, we sat in our mobile campsite for three hours, barely moving for the first hour and a half. Morale was at first high, then it was low. Then we each cracked a beer and it was high again. We considered a second but decided against it. Morale became low again. Finally, finally, around 3:00, we made it to our precious VIP Lot 9, which would be our base of operations for the next three days.

The Storm

Seen on Saturday morning.

Despite the long wait to enter the festival, Friday was probably my favorite day of Desert Daze. It was undeniably the most exciting, although some festivalgoers might instead describe it as “hectic” or “wet”. Diehard Tame Impala fans would probably describe it as “absolutely the most terrible day of my life, I want my money back”.

For Patrick and I, Friday meant Hinds -> Pond -> L.A. Witch -> Warpaint. Idles was next on the list, but the first few lightning flashes of what I have now affectionately dubbed “Hurricane Impala” prevented us from entering the tent that the English punk band was playing in. We spent the hour between Warpaint and Tame Impala watching lightning light up the sky, illuminating the mountains that surround Lake Perris. We alternated between sitting on a lifeguard stand and laying in one of the small tents that had been erected on the festival grounds, which I can only describe as “texture tents for people on drugs”. This one was made of heavy cloth and featured woven strings of yarn hanging from the peak. Laying down and pawing at them, you felt simultaneously like a baby and like a cat. A baby cat, perhaps. I remembered that there is a word for that – “kitten”. No, I was not on drugs.

Around 10:00, we entered the crowd that had gathered around the main stage for Tame Impala’s headlining set. Lightning continued. Rain started to fall, at first lightly but then heavier. Tame Impala played through their first two songs, shooting off confetti cannons for their third. Afterwards, a festival official stepped on stage and informed us that we would have to evacuate the festival grounds and seek shelter at our campsites, in our vehicles, or at the medical building. Tame Impala was not cancelled, and they would hopefully resume their set at some point that night. Spoiler: they didn’t.

While disappointed fans returned to their campsites to call their Ubers and Lyfts, while trying to salvage their rain-soaked tents and belongings, I was happy as a clam in the coziest makeshift truck bed camping setup ever crafted. Patrick and I spent the next couple hours listening to the rain on the roof of the canopy, punctuated by loud bursts of thunder. Other than a slight issue with the heavy rain finding its way into our cozy paradise (did I mention how cozy it was?), everything was perfect.

The Pass Out and Rally

Where I spent a good chunk of my Saturday night.

I think the reason why our wait time to enter the festival was only three hours rather than, say, five, is that at some point, security stopped checking vehicles as they entered the campground. We returned to the festival around 7:00 and caught the end of Ex-Cult at the Theater Stage. Next we headed to the Block Stage for Desert Daze founder Phil Pirrone’s band, JJUUJJUU. Here’s where things get rough. We planned on returning to the truck for provisions, where I then settled in for a quick nap. Yet, despite my internal protests about possibly missing King Gizzard, exhaustion overtook me, and I passed out.

I awoke sometime around 11:30. Patrick had returned from seeing Slowdive. I was feeling completely fine. I chugged half my cold brew (god bless) and we made it back to the festival in time to see most of King Gizzard’s set, which was everything I’d ever dreamed.

The Characters

Unbeknownst to us, that lightning bolt on the pyramid was some major foreshadowing.

There were some truly memorable people I encountered over those few days. From Chandler, Phil, and Ye, who we never saw after Friday afternoon, to Andy and Laura, who came all the way from Costa Rica for Tame Impala. The girl who proclaimed that Desert Daze was the “funniest festival ever,” when she really meant “funnest,” but probably should have said “most fun.” Patrick’s uncle, who we saw driving one of the shuttles while waiting to enter the festival. The man from Denver who was always utilizing the VIP phone charging stations at the same time I was. Shawn, who finally helped us resolve the issue of Andy’s dead car battery. Bill with the jumper cables. The glowing carrot, the inflatable unicorn, the crowd-surfing panda. The people from Jam in the Van who were about as chill as you’d expect. The guards who didn’t question me using the Artist/Staff entrance to the campsite showers. All of the staff, volunteers, attendees – everyone. Everything. I loved it all. Thank you, Desert Daze.

Written By: Andrea Renney